Carl Philipp Emanuel Bach
Source:
NAXOS
Born on 8 March 1714 in Weimar, Carl Philipp Emanuel Bach (aka "the other Bach") was son to Johann Sebastian Bach. Noted for his symphonies and keyboard pieces, especially sonatas and concertos, as well as chamber and choral works, among all of J.S. Bach's composing descendants CPE most shares stature similar to his father's. Though Carl and his brothers had been taught music by his father, all intending to become professional musicians, Carl also studied law from 1731 to 1738, obtaining his degree. His brothers studied jurisprudence as well. This was done to obtain better station as a musician, a little like joining the military as enlisted without rank versus as an officer if you go to college first.
Carl's first more certain compositions date to 1730 with two marches and two polonaises among other works. Those were followed in 1731 with 'Minuet' in C major, 'Sonata' in B-flat major, 'Sonata' in F major, 'Violin Sonata' in D major, 'Violin Sonata' in D minor, 'Violin Sonata' in A major, 'Flute Sonata' in C major and six 'Trio Sonata's. Carl's 1730 titles begin with H 1/1. "H" numbers in Carl Bach are from the 'Thematic Catalogue of the Works of Carl Philipp Emanuel Bach' by E. Eugene Helm published by Yale University Press in 1989. Carl's works from 1730 don't have "Wq" numbers which don't begin until 1731 with 'Minuet' as Wq.111. "Wq' numbering is from 'Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach' by Alfred Wotquenne published in 1904 and 1972. Sometimes "Kast" numbers are seen which refer to 'Die Bach-Handschriften der Berliner Staatsbibliothek' by Paul Kast published in 1958. Those don't address the corpus of Carl Bach, but catalog manuscripts in the Berlin State Library. The Oboe Sonata below may have been authored in 1735 while Carl was yet a law student. Originally scored for oboe and continuo, it's been arranged for oboe and piano:
'Oboe Sonata' G minor H 549 Wq.135 Carl Philipp Emanuel Bach
Comp for oboe and continuo c 1735 or earlier Later revised IMSLP
Oboe: Yubin Lim (임유빈) Piano: Aya Matsushita
Upon acquiring his law degree Bach obtained employment in Berlin from Crown Prince Frederick of Prussia (Frederick II) in 1738, becoming a member of the orchestra in 1740 upon Frederick becoming king. Frederick was himself a composer and played the violin. Bach was among the earliest piano, versus harpsichord, virtuosos. His father, Johann Sebastian, preferred the harpsichord to the piano in its early stages of development. The piano had been invented as the pianoforte in 1700 in Florence by Bartolomeo Cristofori [Wikipedia / Your Dictionary] and would spend a century gradually becoming the piano as we know it today. Until then, though not popular with most composers, Carl was already known throughout Europe as a master on the early clavier (piano) by the time he joined Frederick's court. He had also written some thirty sonatas and such for harpsichord and clavichord by then.
'Concerto for 2 Harpsichords' F major H 408 Wq.46 Carl Philipp Emanuel Bach
Comp for 2 harpsichords / strings / continuo 1740 Berlin IMSLP
OSI Orchestra dela Svizzera Italiana
Harpsichord: Ton Koopman / Tini Mathot
'Harpsichord Concerto' E minor H 418 Wq.15 Carl Philipp Emanuel Bach
Comp for harpsichord / strings / continuo 1745 Berlin IMSLP
Győr University Orchestra conducted by Gergely Ménesi
Piano: András Kemenes
'Magnificat' D major H 772 Wq.215 Carl Philipp Emanuel Bach
Comp in Potsdam 1749 Revised 1780-82 Text: Luke 1:46-55 IMSLP
Akademie für Alte Musik Berlin / RIAS Kammerchor / Hans-Christoph Rademann
Soprano: Elizabeth Watts Alto: Wiebe Lehmkuhl
Tenor: Lothar Odinius Bass: Markus Eiche
It was 1753 when Carl's first volume of 'Versuch über die wahre Art das Clavier zu spielen' ('Essay on the true way to play the keyboard') appeared in Berlin [text / digital copy]. The second volume followed in 1762. His 'Flute Concerto' below was an adaptation of his 'Keyboard Concerto' in G major of 1755 composed in Berlin (H 444 / Wq.34):
'Flute Concerto' G major H 445 Wq.169 Carl Philipp Emanuel Bach
Comp for flute / strings / continuo 1755 Berlin IMSLP
Württembergisches Kammerorchester Heilbronn
Flute: James Galway
'Symphony' E-flat major H 654 Wq.179 Carl Philipp Emanuel Bach
Comp 1757 Berlin
Akademie für Alte Musik Berlin
In 1768 Bach became director of music for the municipality of Hamburg, a free city within the Catholic Holy Roman Empire which was predominantly Lutheran. Bach also acquired the patronage of Frederick's sister, Princess Anna Amalia of Prussia (1723-87) who was herself a composer. Carl then began to concentrate less on keyboard and more on sacred music such as cantatas, for Protestant Anna had been elected princess-abbess of the Abbey of Quedlinburg in 1755. The next twenty years saw Carl producing some seventy liturgical works along with twenty-one settings of the Passion. I don't include any of Carl's later sacred works, substituting Anna Amalia's best-known work, her 'Sonata' for flute and continuo in galant style [Raine-Wright].
Princess Anna Amalia of Prussia
Painting by Antoine Pesne sometime before 1757
Source: Wikipedia
'Flute Sonata' F major Abbess Anna Amalia
Comp for flute and continuo 1771 IMSLP Score (for organ)
Flute: Nicole Esposito Harpsichord: Gregory Hand
University of Iowa School of Music 2013
'Presto' Movement 3 of 3 Carl Philipp Emanuel Bach
From 'Symphony' D major H 663 Wq.183/1
Comp 1775 Hamburg Pub 1780
Orquesta de Cámara de Jerusalém / Mendi Rodan
'Flute Sonata' G major H 564 Wq.133 Carl Philipp Emanuel Bach
Comp for flute and continuo 1786 Hamburg IMSLP
Eckhart Duo: Flute: Enrico Sartori / Piano: Giuseppe Santucci
'Fantasia' F-sharp minor H 300 Wq.67 Carl Philipp Emanuel Bach
Comp for clavichord 1787 Hamburg IMSLP
Eckhart Duo: Flute: Enrico Sartori / Piano: Giuseppe Santucci
Not two years after the death of Anna on 30 March of 1787 Carl himself died in Hamburg on 14 December 1788.
Sources & References for Carl Philipp Emanuel Bach:
(Bach Cantatas)VF History (notes)
Wikipedia English
Audio of Carl Bach:
Bach Musical Dynasty:
Bach Cantatas Jochen Grob HOASM Wikipedia Wikisource
Bach Musical Dynasty at VF History (chronological by birth):
Johann Christoph Bach (18 Dec 1642 - 31 March 1703)
Johann Michael Bach (19 August 1648 - 27 May 1694)
Johann Ludwig Bach (14 Feb 1677 - 1 May 1731)
Johann Sebastian Bach (31 March 1685 - 28 July 1750)
Wilhelm Friedemann Bach (22 Nov 1710 - 1 July 1784)
Carl Philipp Emanuel Bach (8 March 1714 - 14 Dec 1788)
Johann Christoph Friedrich Bach (21 June 1732 - 26 January 1795)
Johann Christian Bach (5 Sep 1735 - 1 January 1782)
Collections: Berlin Singakademie
Compositions / Works: Corpus:
All Music (alphabetical)
Bach Digital (search)
IMSLP (chronological / H / Kast / Wq)
Klassica (Wq)
Musique et Musiciens (H / Wq)
RYM (chronological)
Wikipedia English (Notebook for Anna Magdalena Bach)
Wikipedia English (Passions)
Compositions / Works: Individual (mentioned herein):
Fantasia (F-sharp minor / H 300 / Wq.67 / 1787):
Symphony (D major / H 663 / Wq.183/1 / 1775):
Recordings of Carl Bach: Catalogs:
DAHR (shellac)
Recordings of Carl Bach: Select:
CPE Bach Edition (30 CD box set on Brilliant Classics 94640 / 2013):
Sinfonien · Symphonies (Carl Philipp Emanuel Bach Chamber Orchestra / Hartmut Haenchen / Phoenix 443 / 2011):
Scores / Sheet Music: Corpus:
(choral works)Gallica (digital copies)
IMSLP (digital copies)
Musicalics (vendor)
Editions: The Complete Works by the Packard Humanities Institute:
Soundtrack Usage of Carl Bach: IMDb
Further Reading:
Guy Dammann (CPE Bach: like father, like son)
Tom Huizenga (A Kid Named Carl Stirs Up The Bach Musical Dynasty / 2013)
Bibliography:
William S. Newman (Emanuel Bach's Autobiography / The Musical Quarterly Vol.51 No.2 / 1965)
David Schulenberg (C.P.E. Bach / Taylor & Francis / 2017)
Authority Search: BNF Data VIAF
Other Profiles:
William Henry Hadow (1911 Encyclopædia Britannica)
hmrproject (at) aol (dot) com