Doc Cheatham
Source: Jazz Trumpet Transcriptions
Born on 13 June 1905 in Nashville, trumpeter, Doc Cheatham, began cornet lessons at age fifteen in a town where there wasn't a lot of jazz. He also played saxophone and drums. He early got his name "Doc" as he had originally planned to become a pharmacist before beginning to perform on the vaudeville stage in Nashville. He began touring with a blues band which found him in Chicago in 1924 where he followed King Oliver and Louis Armstrong. He played in the band of Albert Wynn and substituted for Armstrong on occasion.
Cheatham began his recording career in 1926 as a saxophone accompanist to blues singer Ma Rainey: 'Down in the Basement' (Paramount 12395), 'Sissy Blues' (Paramount 12384) and 'Broken Soul Blues' (Paramount 12384).
'Down in the Basement' Doc Cheatham (soprano sax) backing Ma Rainey
C 12 July 1926 in Chicago Matrix 2627-1 Paramount 12395
Cornet: Homer Hobson Trombone: Albert Wynn
Clarinet / alto sax: Tom Brown Piano: Lil Henderson
Banjo: Rip Bassett Drums: Ben Thigpen
Composition: Tiny Parham
Having attended at least 230 sessions, to follow Cheatham's career is to wind along many a jazz standard with some of the biggest names in jazz history. As example of that we step ahead several years to the early swing era with Cab Calloway in 1932, for whom Cheatham played trumpet on December 7 that year: 'Dinah', 'Angeline', et al. Cheatham's last tracks with Calloway were seven years later on October 17, 1939 ('Chili Con Conga', 'Tarzan of Harlem', et al). when he was replaced by Dizzy Gillespie. Calloway and Cheatham would reunite in 1990 with Milt Hinton on 'Good Time Charlie'. Cheatham's last titles with Calloway in 1937 were also his only with Gillespie until 1992 when he participated in 'To Diz with Love'.
'Minnie the Moocher' Doc Cheatham (trumpet) backing Cab Calloway
Betty Boop and Bimbo cartoon by Fleischer Studios Released 11 March 1932
Composition: Cab Calloway / Irving Mills / Clarence Gaskill
'The Ghost of Smokey Joe' Doc Cheatham (trumpet) backing Cab Calloway
28 March 1939 in NYC Matrix WM-1011-1 Vocalion 4807
Music: Rube Bloom Lyrics: Ted Koehler
Cheatham seems to have recorded with swing master, Benny Goodman, only once, that on October 16, 1934, with two takes of 'Stars'. He would later contribute to a couple sessions in 1966, first as a member of Goodman's quintet for a radio broadcast for WNEW from the Rainbow Grill in NYC ('Indiana', 'Cheerful Little Earful', et al), then as a member of Goodman's sextet with young Herbie Hancock toward such as 'Avalon', Embraceable You', et al. In December of 1943 he began to record with Eddy Heywood's outfit which would lead to sessions with another huge name in jazz, Billy Holiday, in 1944.
'I Cover the Waterfront' Doc Cheatham (trumpet) backing Billie Holiday
25 March 1944 in NYC Matrix A4745-2 Commodore 559A
Eddie Heywood (piano) and His Orchestra:
Trombone: Vic Dickenson Alto sax: Lem Davis
Guitar: eddy Walters Bass: John Simmons Drums: Sidney Catlett
Music: Johnny Green Lyrics: Eddie Heywood
After World War II Cheatham concentrated on Latin bands in New York City. Among highlights of his career in the fifties was his initial session as a leader in Paris on January 31, 1950, yielding such as 'Solitude' and 'Since I Fell for You' with vocalist, Eartha Kitt.
The first of numerous sessions with trombonist, Wilbur de Paris, arrived on April 2, 1955, to put down such as 'Mardi Gras Rag' and 'Milenberg Joys'. Their last recordings together were on November 17, 1960, for such as 'Over and Over Again' and 'Careless Love'.
Cheatham put away duets with pianist, Sammy Price, in 1958 in Paris: 'Lady Be Good', 'The Man I Love', et al. He would visit with Price again in 1988 for 'Doc Cheatham and Sammy Price in New Orleans with Lars Edegran's Jazz Band'.
'Embraceable You' Doc Cheatham (trumpet) with Sammy Price (piano)
Oct 1958 in Paris
See 'Sammy Price & Doc Cheatham Play George Gershwin' on Club du Disque J 142
Music: George Gershwin Lyrics: Ira Gershwin
'Frankie and Johnny' Doc Cheatham (trumpet) with Wilbur De Paris (trombone)
Dec 1958 in NYC
See 'That's a Plenty' on Atlantic SD 1318
Cornet: Sidney De Paris Clarinet: Omer Simeon
Piano: Sonny White Guitar: John Smith
Bass: Hayes Alvis Drums: Wilbert Kirk
Composition: Hughie Cannon 1904
'One O'Clock Jump' Doc Cheatham (trumpet) with the Sammy Price (piano) Septet
Television 1959
Trombone: Elmer Crumley / J.C. Higgimbotham
Alto sax: Eddie Barefield Bass: Jimmy Lewis Drums: J.C. Heard
Composition: Count Basie 1937
Cheatham formed his own band in 1960, running that for the next five years in New York City. Also highlighting the sixties were sessions with alto saxophonist, Capt. John Handy, in 1966 in New York City.
'Mr. Trumpet Man' Doc Cheatham (trumpet) with Ricardo Ray (piano)
1968 Album: 'Jala Jala Boogaloo Volume II': Discogs Fania Wikipedia
Trumpet: Pedro Chaparro Vocal: Bobby Cruz Bass: Jimmy Lewis
Timbales: Cándido Rodríguez Bongos: Harry Rodríguez Congas: Joaquín Dillonis
Composition: Ricardo Ray / Bobby Cruz
'Broadway' Doc Cheatham (trumpet) with Jimmy Andrews (piano)
4 April 1973 Album: 'Adolphus "Doc" Cheatham' on Jezebel JZ-102-ST
Composition: Wilbur H. Bird / Teddy McRae / Henri Woode 1940
'Someday You'll Be Sorry' Doc Cheatham (trumpet / vocal)
1985 Chicago Jazz Festival
Piano: Stu Katz Guitar: Bobby Roberts
Bass: John Bany Drums: Barrett Deems
Composition: Louis Armstrong 1947
'The Nearness of You' Doc Cheatham (trumpet) backing Arnett Cobb (saxophone)
Television 1987
Trombone: Al Grey
Music: Hoagy Carmichael Lyrics: Ned Washington 1938
'Drop Me Off in Harlem' Doc Cheatham (trumpet / vocal)
7 May 1888 in Stockholm, Sweden Matrix 880369-4
Clarinet / alto sax: Goran Eriksson Piano: Dick Cary
Guitar: Mikael Selander Drums: Sigge Dellert
Music: Duke Ellington Lyrics: Nick Kenny 1933
We here fast forward to Cheatham yet headed for Europe in 1995 to record with the Swiss Dixie Stompers in Switzerland. In September of 1996 he put up the album, 'Doc Cheatham & Nicholas Payton', with trumpeter, Nicholas Payton. He made his last-known recordings on February 26-28 1997 in New Orleans.
'How Deep Is the Ocean' Doc Cheatham (trumpet / vocal)
9-11 Sep 1996 in New Orleans
See 'Doc Cheatham & Nicholas Payton' on Verve 537 062-2
Trumpet: Nicholas Payton Piano: Butch Thompson
Guitar: Les Muscott Bass: Bill Huntington Drums: Ernie Elly
Composition: Irving Berlin 1932
'Stardust' Doc Cheatham (trumpet)
9-11 Sep 1996 in New Orleans
See 'Doc Cheatham & Nicholas Payton' on Verve 537 062-2
Trumpet: Nicholas Payton Piano: Butch Thompson
Guitar: Les Muscott Bass: Bill Huntington Drums: Ernie Elly
Music: Hoagy Carmichael 1927 Lyrics: Mitchell Parrish 1929
Doc died on June 2, 1997, in Washington D.C. ['Chicago Tribune' / 'The Independent']. His memoir, 'I Guess I'll Get the Papers and Go Home', saw print posthumously in 1998, written with assistance from Alyn Shipton and published by Continuum.
Sources & References for Doc Cheatham:
Donald Clark (Music Box) VF History (notes)
Wikipedia Scott Yanow (All Music)
Autobiography: I Guess I'll Get the Papers and Go Home / 1998:
Collections: Archives West University of Idaho University of Idaho
Interviews:
21 January 1993 (w PBS / video)
25 September 1995 (w Dan Del Fiorentino / audio)
Recordings: Catalogs: Discogs Music Brainz RYM SHS
Recordings: Select:
Doc Cheatham & Nicholas Payton (Verve 537 062-2 / 1997)
Recordings: Sessionographies:
DAHR (1941)
Jazz Discography Project (1957)
Tom Lord: leading 52 of 230 sessions 1926-97
Brian Rust: Jazz Records 1897-1942 / Mainspring Press / 2002
Authority Search: VIAF
Other Profiles: NPR Riverwalk Jazz
Classical Main Menu Modern Recording
hmrproject (at) aol (dot) com