HMR Project: History of Music & Modern Recording

Doc Cheatham

Birth of Modern Jazz: Doc Cheatham

Doc Cheatham

Source: Jazz Trumpet Transcriptions

 

Born on 13 June 1905 in Nashville, trumpeter, Doc Cheatham, began cornet lessons at age fifteen in a town where there wasn't a lot of jazz. He also played saxophone and drums. He early got his name "Doc" as he had originally planned to become a pharmacist before beginning to perform on the vaudeville stage in Nashville. He began touring with a blues band which found him in Chicago in 1924 where he followed King Oliver and Louis Armstrong. He played in the band of Albert Wynn and substituted for Armstrong on occasion.

Cheatham began his recording career in 1926 as a saxophone accompanist to blues singer Ma Rainey: 'Down in the Basement' (Paramount 12395), 'Sissy Blues' (Paramount 12384) and 'Broken Soul Blues' (Paramount 12384).

 

'Down in the Basement'   Doc Cheatham (soprano sax) backing Ma Rainey

  C 12 July 1926 in Chicago    Matrix 2627-1   Paramount 12395

Cornet: Homer Hobson   Trombone: Albert Wynn

Clarinet / alto sax: Tom Brown   Piano: Lil Henderson

Banjo: Rip Bassett   Drums: Ben Thigpen

Composition: Tiny Parham

 

Having attended at least 230 sessions, to follow Cheatham's career is to wind along many a jazz standard with some of the biggest names in jazz history. As example of that we step ahead several years to the early swing era with Cab Calloway in 1932, for whom Cheatham played trumpet on December 7 that year: 'Dinah', 'Angeline', et al. Cheatham's last tracks with Calloway were seven years later on October 17, 1939 ('Chili Con Conga', 'Tarzan of Harlem', et al). when he was replaced by Dizzy Gillespie. Calloway and Cheatham would reunite in 1990 with Milt Hinton on 'Good Time Charlie'. Cheatham's last titles with Calloway in 1937 were also his only with Gillespie until 1992 when he participated in 'To Diz with Love'.

 

'Minnie the Moocher'   Doc Cheatham (trumpet) backing Cab Calloway

  Betty Boop and Bimbo cartoon by Fleischer Studios   Released 11 March 1932

Composition: Cab Calloway / Irving Mills / Clarence Gaskill

 

'The Ghost of Smokey Joe'   Doc Cheatham (trumpet) backing Cab Calloway

  28 March 1939 in NYC   Matrix WM-1011-1   Vocalion 4807

Music: Rube Bloom    Lyrics: Ted Koehler

 

Cheatham seems to have recorded with swing master, Benny Goodman, only once, that on October 16, 1934, with two takes of 'Stars'. He would later contribute to a couple sessions in 1966, first as a member of Goodman's quintet for a radio broadcast for WNEW from the Rainbow Grill in NYC ('Indiana', 'Cheerful Little Earful', et al), then as a member of Goodman's sextet with young Herbie Hancock toward such as 'Avalon', Embraceable You', et al. In December of 1943 he began to record with Eddy Heywood's outfit which would lead to sessions with another huge name in jazz, Billy Holiday, in 1944.

 

'I Cover the Waterfront'   Doc Cheatham (trumpet) backing Billie Holiday

  25 March 1944 in NYC   Matrix A4745-2   Commodore 559A

Eddie Heywood (piano) and His Orchestra:

Trombone: Vic Dickenson   Alto sax: Lem Davis

Guitar: eddy Walters   Bass: John Simmons   Drums: Sidney Catlett

Music: Johnny Green    Lyrics: Eddie Heywood

 

After World War II Cheatham concentrated on Latin bands in New York City. Among highlights of his career in the fifties was his initial session as a leader in Paris on January 31, 1950, yielding such as 'Solitude' and 'Since I Fell for You' with vocalist, Eartha Kitt.

The first of numerous sessions with trombonist, Wilbur de Paris, arrived on April 2, 1955, to put down such as 'Mardi Gras Rag' and 'Milenberg Joys'. Their last recordings together were on November 17, 1960, for such as 'Over and Over Again' and 'Careless Love'.

Cheatham put away duets with pianist, Sammy Price, in 1958 in Paris: 'Lady Be Good', 'The Man I Love', et al. He would visit with Price again in 1988 for 'Doc Cheatham and Sammy Price in New Orleans with Lars Edegran's Jazz Band'.

 

'Embraceable You'   Doc Cheatham (trumpet) with Sammy Price (piano)

  Oct 1958 in Paris

See 'Sammy Price & Doc Cheatham Play George Gershwin' on Club du Disque J 142

Music: George Gershwin    Lyrics: Ira Gershwin

 

'Frankie and Johnny'   Doc Cheatham (trumpet) with Wilbur De Paris (trombone)

  Dec 1958 in NYC

See 'That's a Plenty' on Atlantic SD 1318

Cornet: Sidney De Paris    Clarinet: Omer Simeon

Piano: Sonny White    Guitar: John Smith

Bass: Hayes Alvis    Drums: Wilbert Kirk

Composition: Hughie Cannon   1904

 

'One O'Clock Jump'   Doc Cheatham (trumpet) with the Sammy Price (piano) Septet

  Television 1959

Trombone: Elmer Crumley / J.C. Higgimbotham

Alto sax: Eddie Barefield   Bass: Jimmy Lewis    Drums: J.C. Heard

Composition: Count Basie   1937

 

Cheatham formed his own band in 1960, running that for the next five years in New York City. Also highlighting the sixties were sessions with alto saxophonist, Capt. John Handy, in 1966 in New York City.

 

'Mr. Trumpet Man'   Doc Cheatham (trumpet) with Ricardo Ray (piano)

1968   Album: 'Jala Jala Boogaloo Volume II': Discogs   Fania   Wikipedia

Trumpet: Pedro Chaparro    Vocal: Bobby Cruz   Bass: Jimmy Lewis

Timbales: Cándido Rodríguez   Bongos: Harry Rodríguez    Congas: Joaquín Dillonis

Composition: Ricardo Ray / Bobby Cruz

 

'Broadway'   Doc Cheatham (trumpet) with Jimmy Andrews (piano)

  4 April 1973   Album: 'Adolphus "Doc" Cheatham' on Jezebel JZ-102-ST

Composition: Wilbur H. Bird / Teddy McRae / Henri Woode   1940

 

'Someday You'll Be Sorry'   Doc Cheatham (trumpet / vocal)

  1985 Chicago Jazz Festival

Piano: Stu Katz   Guitar: Bobby Roberts

Bass: John Bany   Drums: Barrett Deems

Composition: Louis Armstrong   1947

 

'The Nearness of You'   Doc Cheatham (trumpet) backing Arnett Cobb (saxophone)

  Television 1987

Trombone: Al Grey

Music: Hoagy Carmichael   Lyrics: Ned Washington   1938

 

'Drop Me Off in Harlem'   Doc Cheatham (trumpet / vocal)

  7 May 1888 in Stockholm, Sweden   Matrix 880369-4

Clarinet / alto sax: Goran Eriksson   Piano: Dick Cary

Guitar: Mikael Selander   Drums: Sigge Dellert

Music: Duke Ellington   Lyrics: Nick Kenny   1933

 

We here fast forward to Cheatham yet headed for Europe in 1995 to record with the Swiss Dixie Stompers in Switzerland. In September of 1996 he put up the album, 'Doc Cheatham & Nicholas Payton', with trumpeter, Nicholas Payton. He made his last-known recordings on February 26-28 1997 in New Orleans.

 

'How Deep Is the Ocean'   Doc Cheatham (trumpet / vocal)

  9-11 Sep 1996 in New Orleans

See 'Doc Cheatham & Nicholas Payton' on Verve 537 062-2

Trumpet: Nicholas Payton   Piano: Butch Thompson

Guitar: Les Muscott   Bass: Bill Huntington   Drums: Ernie Elly

Composition: Irving Berlin   1932

 

'Stardust'   Doc Cheatham (trumpet)

  9-11 Sep 1996 in New Orleans

See 'Doc Cheatham & Nicholas Payton' on Verve 537 062-2

Trumpet: Nicholas Payton   Piano: Butch Thompson

Guitar: Les Muscott   Bass: Bill Huntington   Drums: Ernie Elly

Music: Hoagy Carmichael 1927   Lyrics: Mitchell Parrish 1929

 

Doc died on June 2, 1997, in Washington D.C. ['Chicago Tribune' / 'The Independent']. His memoir, 'I Guess I'll Get the Papers and Go Home', saw print posthumously in 1998, written with assistance from Alyn Shipton and published by Continuum.

 

Sources & References for Doc Cheatham:

Donald Clark (Music Box)   VF History (notes)

Wikipedia   Scott Yanow (All Music)

Autobiography: I Guess I'll Get the Papers and Go Home / 1998:

Part 1   Part 2   Part 3

Collections: Archives West   University of Idaho   University of Idaho

Interviews:

21 January 1993 (w PBS / video)

25 September 1995 (w Dan Del Fiorentino / audio)

Recordings: Catalogs: Discogs   Music Brainz   RYM   SHS

Recordings: Select:

Doc Cheatham & Nicholas Payton (Verve 537 062-2 / 1997)

Recordings: Sessionographies:

DAHR (1941)

Jazz Discography Project (1957)

Tom Lord: leading 52 of 230 sessions 1926-97

Brian Rust: Jazz Records 1897-1942 / Mainspring Press / 2002

Authority Search: VIAF

Other Profiles: NPR   Riverwalk Jazz

 

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