Baby Dodds
Source: A Tela da Reflexão
Born on 24 December 1898, drummer, Warren "Baby" Dodds (brother of clarinetist, Johnny Dodds), began his music career in New Orleans performing in funeral marches, street parades and in various bands. Early New Orleans trumpeter, Bunk Johnson, was among those with whom he worked. Baby owns the distinction of being considered by some to be the father of jazz drumming insofar as, though he was hardly the original jazz drummer, he was the first to seriously explore the role of percussion in jazz including the drum solo.
In 1918 Baby and cornetist, Louis Armstrong, left New Orleans to play music on Mississippi riverboats destined back and forth to St. Louis. About the time he and Armstrong had had enough of that (1921), and King Oliver (cornet) had had enough of California, the three eventually found themselves playing together in Oliver's Creole Jazz Band in Chicago, together with Baby's brother, Johnny, Armstrong's bride-to-be, Lil Armstrong, on piano, Honore Dutrey on trombone and Bud Scott on banjo. The significance of their first recording session on April 5, 1923, in Richmond, Indiana, was that it was the first record release of all in the band.
'Just Gone' King Oliver's Creole Jazz Band
First recording to issue for all
Recorded 5 April 1923 in Richmond IN Matrix 11383-B Gennett 5133
Cornet: King Oliver / Louis Armstrong Trombone: Honore Dutrey
Clarinet: Johnny Dodds Piano: Lil Armstrong
Banjo: Bud Scott Drums: Baby Dodds
Composition: Oliver / Bill Johnson
'Canal Street Blues' King Oliver's Creole Jazz Band
Second recording to issue for all
Recorded 5 April 1923 in Richmond IN Matrix 11384-B Gennett 5133
Cornet: King Oliver / Louis Armstrong Trombone: Honore Dutrey
Clarinet: Johnny Dodds Piano: Lil Armstrong
Banjo: Bud Scott Drums: Baby Dodds
Composition: Oliver / Louis Armstrong
'Mandy Lee Blues' King Oliver's Creole Jazz Band
Third recording to issue for all
Recorded 5 April 1923 in Richmond IN Matrix 11385-C Gennett 5134
Cornet: King Oliver / Louis Armstrong Trombone: Honore Dutrey
Clarinet: Johnny Dodds Piano: Lil Armstrong
Banjo: Bud Scott Drums: Baby Dodds
Composition: Marty Bloom / Walter Melrose
'Dipper Mouth Blues' King Oliver's Creole Jazz Band
Dipper Mouth: Louis Armstrong's nickname
Recorded 6 April 1923 in Richmond IN Matrix 11389-B Gennett 5132
Cornet: King Oliver / Louis Armstrong Trombone: Honore Dutrey
Clarinet: Johnny Dodds Piano: Lil Armstrong
Banjo: Bud Scott Drums: Baby Dodds
Composition: Oliver / Louis Armstrong
In 1924 the Dodds brothers came to a disagreeable falling out with Oliver which saw to the demise of the Creole Jazz Band. The Armstrongs, married in February, parted with Oliver on tour as the Dodds continued in Chicago, soon acquiring a residency at Bert Kelly’s Stables for several years. Baby returned to recording in 1927, first with Walter Melrose's Dixieland Thumpers in February, next in April with Johnny's Black Bottom Stompers of which Louis Armstrong was a member. The Dodds recorded numerously with the Armstrongs in 1927. On 24 July 1929 in Chicago the Dodds made what Lord shows to be their last session together for another eleven years, that with the Beale Street Washboard Band for two takes each of 'Forty and Tight' and 'Piggly Wiggly'. In the meantime a Prohibition infraction in 1930 saw to the closure of Kelly’s Stables.
'Keyhole Blues' Louis Armstrong's Hot Seven
Recorded 13 May 1927 in Chicago Okeh 8496
Cornet / scat vocal: Louis Armstrong Trombone: John Thomas
Clarinet: Johnny Dodds Piano: Lil Armstrong
Banjo: Johnny St. Cyr Tuba: Pete Briggs Drums: Baby Dodds
Composition: Wesley Wilson
'Mr. Jelly Lord' Jelly Roll Morton Trio
Recorded 10 June 1927 in Chicago Victor 21064
Clarinet: Johnny Dodds Piano: Jelly Roll Morton Drums: Baby Dodds
Composition: Morton
'Piggly Wiggly' Beale Street Washboard Band
Recorded 24 July 1929 in Chicago Victor 21064
Last session of Baby's early recording career
Matrix C-3937-A issued on Vocalion 1403 / Banner 32388
Matrix C-3937-B issued on Brunswick 80076 / Vocalion V-1016
Cornet: Herb Morand Clarinet: Johnny Dodds
Piano: Frank Melrose Drums / washboard: Baby Dodds
Composition: June Cobb
Turning the page into the Depression years, the brothers experienced difficulty making the music business steadily pay. Baby eventually acquired a residency at the Three Deuces in NYC from 1936 to 1939. Lord has Baby recording after a gap of eleven years with Johnny in Chicago on 5 June 1940. That, however, was Johnny's last session, he to die of heart attack on 8 August 1940. It nevertheless ignited Baby's latter recording career, he to perform with such as Sidney Bechet, Muggsy Spanier and Jim Robinson. Certainly some of Dodd's nicest work was in the band of Bunk Johnson from 1944 to 1947, recording extensively in various venues about the nation with Johnson. Dodd also heavily participated in the 'This Is Jazz' broadcasts of 1947 out of New York City, performing with such as Wild Bill Davison. In 1948 Dodds toured Europe with Mezz Mezzrow, then continued freelancing in Chicago and NYC.
'Red Onion Blues' Johnny Dodds & His Orchestra
Johnny's next to last recording Baby's first of his latter career
Recorded 5 June 1940 in Chicago Matrix 93032-A Decca 18094
Cornet: Natty Dominique Trombone: Preston Johnson Clarinet: Johnny Dodds
Piano: Richard M. Jones Guitar: Lonnie Johnson
Bass: John Lindsay Drums: Baby Dodds
Composition: Clarence Williams
'Gravier Street Blues' Johnny Dodds & His Orchestra
Johnny's last recording Baby's second of his latter career
Recorded 5 June 1940 in Chicago Matrix 93033-A Decca 18094
Cornet: Natty Dominique Trombone: Preston Johnson Clarinet: Johnny Dodds
Piano: Richard M. Jones Guitar: Lonnie Johnson
Bass: John Lindsay Drums: Baby Dodds
Composition: Clarence Williams
'Baby Won't You Please Come Home' Kid Shots' New Orleans Band
Recorded 5 Aug 1944 at San Jacinto Hall in New Orleans
Issued in Japan on 'American Music of George Lewis: Kid Shots' Dan VC7017 1973
Trumpet: Kid Shots Madison Trombone: Jim Robinson Clarinet: George Lewis
Banjo: Lawrence Marrero Bass: Alcide Slow Drag Pavageau Drums: Baby Dodds
Composition: Charles Warfield / Clarence Williams 1919
'Buddy Bolden Blues' Baby Dodds Trio
Recorded 6 Jan 1946 in New Orleans Matrix NY-2 Circle 1039 / 3003
Some tracks in this session issued on 'A Session With Baby Dodds' Circle S 17 1946
All tracks in this session issued on 'Jazz À La Creole' G.H.B. BCD-50
Clarinet: Albert Nicholas Piano: Don Ewell Drums: Baby Dodds
Composition: Jelly Roll Morton
'Albert's Blues' Baby Dodds Trio
Recorded 6 Jan 1946 in New Orleans Matrix NY-3 Circle 1002
Some tracks in this session issued on 'A Session With Baby Dodds' Circle S 17 1946
All tracks in this session issued on 'Jazz À La Creole' G.H.B. BCD-50
Clarinet: Albert Nicholas Piano: Don Ewell Drums: Baby Dodds
Composition: Albert Nicholas
'Drum Improvisation No.1' Baby Dodds Trio
Recorded 6 Jan 1946 in New Orleans Matrix NY-4 Circle 1001
Compare to 'Drum Improvisation No.2' Matrix NY-5: Audio
Some tracks in this session issued on 'A Session With Baby Dodds' Circle S 17 1946
All tracks in this session issued on 'Jazz À La Creole' G.H.B. BCD-50
Clarinet: Albert Nicholas Piano: Don Ewell Drums: Baby Dodds
Composition: Baby Dodds
'Maryland' Baby Dodds
Recorded 10 Jan 1946 in NYC 'Drum Solos' Disc Records 6006 / 6007 1946
Also issued on 'Talking and Drum Solos' Folkways FJ 2290 & FP 30 1951
Composition: Baby Dodds
'New Orleans Drumming' Baby Dodds Film by Barry Martyn
Compilation of solo drumming on film commencing in Chicago 1953
Baby died in Chicago on Valentine's Day of 1959. 'The Baby Dodds Story' was published that year by Contemporary Press, put together by Larry Gara.
Sources & References for Baby Dodds:
Rick Mattingly (Percussive Arts Society)
John Petters (Traditional Jazz)
VF History (notes)
Scott Yanow (All Music)
Recordings: Catalogs:
45 Worlds Discogs Music Brainz RYM
Recordings: Select (herein mentioned):
American Music of George Lewis: Kid Shots (Dan VC7017 / Japan / 1973)
Jazz À La Creole (GHB BCD-50 / 2000 reissue of ?)
A Session With Baby Dodds / Circle S 17 / 1946:
Recordings: Sessions:
Scott Alexander (Red Hot Jazz)
DAHR (1923-40)
Tom Lord: leading 9 of 150 sessions 1923-54
Further Reading:
Classical Main Menu Modern Recording
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