HMR Project: History of Music & Modern Recording

Clyde Hart

Clyde Hart

Clyde Hart

Source:  Discogs

 

Born sometime in 1910 in Baltimore, Maryland, pianist, Clyde Hart, began his professional career in 1930 with Gene Coy, also playing with Jap Allen. The next year he joined Blanche Calloway's orchestra, making his first recordings with her Joy Boys. in Camden, New Jersey, on March 27, 1931: 'Just a Crazy Song', 'Sugar Blues', 'I'm Getting Myself Ready for You' and 'Loveless Love'. Hart joined Blanche in three more sessions in 1939, after which Tom Lord shows a gap of four years until he held his next session on 6 November 1935, again with Blanche on such as 'You Ain't Livin' Right' and 'Louisiana Liza'.

 

'Just a Crazy Song'

Clyde Hart (piano) w Blanche Calloway & Her Joy Boys

27 March 1931 in Camden NJ   Matrix 68938-2   Victor 22661

Trumpet: Joe Keyes / Edgar Battle (arrangement) / Clarence Smith (vocal)

Trombone: Alton "Slim" Moore

Alto sax: Booker Pittman (clarinet) / Leroy Hardy

Tenor sax: Ben Webster   Banjo / guitar: Andy Jackson

Tuba: Joe Durham   Drums: Cozy Cole   Vocal: Blanche Calloway

Composition: Bessie Smith / Clarence Williams

 

'I Got What It Takes'

Clyde Hart (piano) w Blanche Calloway & Her Joy Boys

18 Nov 1931 in Camden NJ   Matrix 69786-1   Victor 22866

Trumpet: Henry Mason / Edgar Battle (arrangement) / Clarence Smith

Trombone: Alton "Slim" Moore

Alto sax: Ernest Purce (clarinet) / Leroy Hardy

Tenor sax: Charlie Frazier   Banjo / guitar: Andy Jackson

Tuba: Joe Durham   Drums: Cozy Cole   Vocal: Blanche Calloway

Composition: Blanche Calloway / Clarence Williams

 

Upon leaving Calloway's operation in New York City in 1935, Hart began doing session work. Among the numerous luminaries with whom he recorded was Billy Holiday whose band he joined on 29 September 1936 toward such as 'A Fine Romance' and 'Let's Call a Heart a Heart'. He began supporting tracks by violinist, Stuff Smith, beginning in October of 1936 into 1938, reuniting in 1944. Hart got mixed with Hot Lips Page starting in 1941, also supporting Page's orchestra in 1944. He first recorded with Roy Eldridge in Chu Berry's band on 10 November 1938. He would back Roy's orchestra in 1940, 1941 and 1944. He and Chu would support Lionel Hampton's orchestra on a few occasions in 1939 before Hart backed Chu's band again in 1941. Clyde first made records with both Coleman Hawkins and Dizzy Gillespie in Hampton's band in September of 1939. He supported Hawkins' orchestra in 1944, also backing other operations like Cozy Cole's together. He recorded with Dizzy on several occasions in the next six years since 1939.

 

'Upstairs'

Clyde Hart (piano) w Stuff Smith and His Onyx Club Boys

18 Nov 1931 in Camden NJ   Matrix 69786-1   Victor 22866

Trumpet: Jonah Jones   Clarinet: Buster Bailey

Violin: Stuff Smith   Guitar: Bobby Bennett

Bass: Mack Walker   Drums: Cozy Cole   Vocal: Blanche Calloway

Composition: Blanche Calloway / Clarence Williams

 

'Wizzin' the Wizz'

Clyde Hart (piano) w the Lionel Hampton Orchestra

5 April 1939 in NYC   Matrix 035706-2   Victor 26233

Tenor sax: Jerry Jerome / Chu Berry   Piano: Hampton

Guitar: Allen Reuss

Bass: Milt Hinton   Drums: Cozy Cole

Composition: Hampton

 

'Gee Baby, Ain't I Good to You'

Clyde Hart (piano) w Chu Berry and His Jazz Ensemble

28 Aug 1941 in NYC   Matrix 4181 or 4181-2

Commodore 1508 or XFL15353

Trumpet / vocal: Hot Lips Page  Tenor sax: Chu Berry

Guitar: Al Casey   Bass: Al Morgan   Drums: Harry Jaeger

Composition: Don Redman / Andy Razaf   1929

 

Clyde backed harmonica by Larry Adler in John Kirby's orchestra in January of 1944. Among other highlights of his career was Mildred Bailey for whom he worked per the CBS broadcast, 'Mildred Bailey and Company', on July 26, 1944. Several CBS broadcasts with Bailey followed into 1945. Hart also had occasion to work with Charlie Parker, commencing with the Tiny Grimes Quintet in September of 1944, then with his own All Stars in January of 1945, again the next month with the Dizzy Gillespie Sextet.

 

'Tiny's Tempo'

Clyde Hart (piano) w the Tiny Grimes Quintette

15 Sep 1944 in NYC   1 of 3 takes all issued on Savoy MG12001

Alto sax: Charlie Parker   Guitar: Tiny Grimes

Bass: Jimmy Butts   Drums: Doc West

Composition: Clyde Hart / Tiny Grimes

 

'I'll Always Love You Just the Same'

Clyde Hart (piano) w the Tiny Grimes Quintette

15 Sep 1944 in NYC   Matrix S5711-1 or S5711-3

Savoy S5J5500 or SJL2201

Alto sax: Charlie Parker   Guitar / vocal: Tiny Grimes

Bass: Jimmy Butts   Drums: Doc West

Composition: Tiny Grimes

 

'Romance Without Finance'

Clyde Hart (piano) w the Tiny Grimes Quintette

15 Sep 1944 in NYC   1 of 4 takes   Savoy S5J5500

Alto sax: Charlie Parker   Guitar / vocal: Tiny Grimes

Bass: Jimmy Butts   Drums: Doc West

Composition: Tiny Grimes

 

Hart didn't start running bands until his Hot Seven in 1944 followed by his All Stars in 1945. His last recordings were with the Dizzy Gillespie Sextet: 'Groovin' High', 'All the Things You Are' and 'Dizzy Atmosphere'.

 

'Smack That Mess'

Clyde Hart (piano) and His Hot Seven

19 Dec 1944 in NYC   Matrix S5768   Savoy 542

Trumpet: Benny Harris

Alto sax: Herbie Fields   Tenor sax: Budd Johnson

Guitar: Chuck Wayne

Bass: Oscar Pettiford   Drums: Denzil Best   Vocal: Joe Gregory

Composition: ?

 

'Dee Dee's Dance'

Clyde Hart (piano) and His Hot Seven

19 Dec 1944 in NYC   Matrix S5769   Savoy 598

Trumpet: Benny Harris

Alto sax: Herbie Fields   Tenor sax: Budd Johnson

Guitar: Chuck Wayne

Bass: Oscar Pettiford   Drums: Denzil Best

Composition: Denzil Best

 

'Little Benny'

Clyde Hart (piano) and His Hot Seven

19 Dec 1944 in NYC   Matrix S5770   Savoy 598

Trumpet: Benny Harris

Alto sax: Herbie Fields   Tenor sax: Budd Johnson

Guitar: Chuck Wayne

Bass: Oscar Pettiford   Drums: Denzil Best

Composition: Benny Harris

 

'Shoot the Arrow to Me Cupid'

Clyde Hart (piano) and His Hot Seven

19 Dec 1944 in NYC   Matrix S5771   Savoy 542

Trumpet: Benny Harris

Alto sax: Herbie Fields   Tenor sax: Budd Johnson

Guitar: Chuck Wayne

Bass: Oscar Pettiford   Drums: Denzil Best   Vocal: Joe Gregory

Composition: ?

 

'What's the Matter Now'

Clyde Hart and His All Stars backing Rubberlegs Williams

4 Jan 1945 in NYC   Matrix W3301   Continental C6013

Trumpet: Dizzy Gillespie   Trombone: Trummie Young

Alto sax: Charlie Parker   Tenor sax: Don Byas

Piano / arrangement: Hart   Guitar: Mike Bryan

Bass: Al Hall   Drums: Specs Powell

Composition: Hart

 

'That's the Blues'

Clyde Hart and His All Stars backing Rubberlegs Williams

4 Jan 1945 in NYC   Matrix W3301   Continental C6013

Trumpet: Dizzy Gillespie   Trombone: Trummie Young

Alto sax: Charlie Parker   Tenor sax: Don Byas

Piano: Hart   Guitar: Mike Bryan

Bass: Al Hall   Drums: Specs Powell

Composition: Rubberlegs Williams / Morty Shad

 

'Sorta Kinda'

Clyde Hart (piano) w James "Trummie" Young's All Stars

4 Jan 1945 in NYC   Matrix W3307   Continental C6005

Trumpet: Dizzy Gillespie   Trombone  / vocal: Trummie Young

Alto sax: Charlie Parker   Tenor sax: Don Byas

Piano: Hart   Guitar: Mike Bryan

Bass: Al Hall   Drums: Specs Powell

Composition: Trummie Young

 

'Good Bait'   Clyde Hart (piano) w the Dizzy Gillespie Sextet

9 Jan 1945 in NYC   Matrix W1224-W   Manor 1042

Trumpet: Dizzy Gillespie   Trombone: Trummie Young

Tenor sax: Don Byas

Bass: Oscar Pettiford   Drums: Shelly Manne

Composition: Tadd Dameron / Count Basie   1944

 

'All the Things You Are'

Clyde Hart (piano) w the Dizzy Gillespie Sextet

From Hart's last-known session

28 Feb 1945 in NYC   Matrix G556   Musicraft 488

Trumpet: Dizzy Gillespie   Alto sax: Charlie Parker

Tenor sax: Don Byas   Guitar: Remo Palmieri

Bass: Slam Stewart   Drums: Cozy Cole

Composition: Jerome Kern / Oscar Hammerstein II

 

Sadly, Clyde was ill with tuberculosis and died on March 19, 1945, only 35 years old.

 

Sources & References for Clyde Hart:

VF History (notes)

Wikipedia

Scott Yanow (All Music)

Recordings: Catalogs:

45 Worlds

Discogs

Music Brainz

RYM (Clyde Hart)

RYM (Clyde Hart All Stars)

SHS

Recordings: Sessions:

DAHR (1931-44)

Jan Evensmo (solography / 1931-45)

Tom Lord: leading 3 of 108 sessions 1931-45

Bibliography:

Leonard Feather / Ira Gitler (The Biographical Encyclopedia of Jazz / Oxford University Press / 2007)

Authority Search: VIAF

 

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