Perotin of Notre Dame
Source: Classical Archives
Cathedral of Notre Dame (Notre-Dame de Reims)
Flourishing around 1200 in France, Pérotin the Great succeeded his mentor, Leonin, at the Notre Dame School of Polyphony in Paris. Notre Dame was yet in early construction at Perotin's time, begun in 1163, so looked little like its complete structure above. It took about a century to build Notre Dame, another to complete modifications toward its whole state. Perotin's birthdate itself isn't known, estimated c 1155 at Discogs, c 1155/60 per Wikipedia. Though Pérotin may have been relatively close to the same age as Léonin, the latter was his teacher, both of them arriving during the period known in scholarship as ars antiqua stretching from the latter 12th through 13th century.
Perotin expanded the 'Magnus Liber Organi' ('Great Book of Organum') that was a compilation of polyphonic compositions applied to the liturgical plainchant begun circa 1170 by Léonin. Plainchant melodies for two or more voices were at that time called organum or, harmonic symphoniae. Pérotin distinguished himself from Léonin largely by his use of tenor amidst multiple (three and four) voices versus Leonin's two. That is, Leonin composed organa duplum; Perotin composed organa triplum and quadruplum. As Perotin's work at Notre Dame was an embellishment of forms created by Leonin, Perotin also expanded upon the motet which was basically a secular alteration of sacred clausulae, the latter being existent plainchants brought to par form in the "measured" organa of Notre Dame, that is, having been notated with metered rhythm. Of examples below, 'Pascha nostrum immolatus' and 'Viderunt Omnes' were originally composed for duplum by Leonin. 'Mors' ('Death') is thought to be by Perotin. They were written by Perotin circa 1200, specific dates unknown, thus stacked alphabetically below:
'Mors' ('Death') Perotin
Motet w text by Philip the Chancellor
Performed by the Chronos Vocal Ensemble
'Pascha nostrum immolatus' ('Our Passover has been sacrificed') Perotin
Motet w text by Philip the Chancellor
Performed by the Chronos Vocal Ensemble
'Viderunt Omnes' ('All Shall See') Perotin
Gregorian chant for Christmas Day w text from Psalms 98
Performed by the the Early Music Consort of London directed by David Munrow
Album: 'Music of the Gothic Era'
It isn't known when either Léonin or Pérotin died. Given a date of c 1200/05 at Wikipedia, Perotin is also thought to have been alive in 1220, perhaps living to as late as c 1230 [Discogs] or c 1238. He may have lived long enough to be an elder contemporary of Giacomo da Lentini born c 1210. Lentini is thought to have arranged the first sonnets in the early 13th century in Palermo, Italy, perhaps as early as c 1220. (It doesn't seem likely that Lentini was writing sonnets at age ten, so "circa" comes in handy.) Among his sixteen canzoni, twenty-two sonnets and a discordo is 'Io m'aggio posto in core a Dio servire' ('I place myself in the heart of God to serve') on an unknown date. Lentini was also senior among poets to the court of Holy Roman Emperor, Frederick II, under whom the Sicilian School of poetry was formed possibly 1230 or later. Though the Sicilian School drew its inspiration from troubadours, Lentini's sonnets were meant for silent reading rather than performance. References to Lentini below will have been sometime during Perotin's latter years if not closely following his death.
Giacomo da Lentini: Birth of the Sonnet
Analysis in English by Douglas Parker
'Io m'aggio posto in core a Dio servire' by Giacomo da Lentini
('I place myself in the heart of God to serve')
Analysis in Italiano by Alessandro Ottaviani
Why Perotin wrote no sonnets should now be plain as chant, concerning which Lentini had naught to do.
Sources & References for Giacomo da Lentini:
Frederick II (Holy Roman Emperor reigning 1220-1250): Wikipedia
The Sicilian School (formed circa 1230-1250):
The Sonnet: Wikipedia
Io m'aggio posto in core a Dio servire (Lentini c 1235):
Sources & References for Perotin:
VF History (notes)
Audio of Perotin: Internet Archive
Compare with Leonin: Internet Archive
Ars antiqua (medieval musical period c 1170-1310): Internet Archive
The Clausula (musical form of the Notre Dame School): Wikipedia
Compositions by Perotin: All Music IMSLP
Magnus liber organi (The Great Book of Organum):
The Motet (musical form of the Notre Dame School):
Notre-Dame School of Polyphony:
Repertory: Joshua Joseph Stutter
Organum (plainchant w one or more independent voices):
Organum (unmeasured v measured): Columbia University
Polyphony: Michael Delahoyde Pro Musician Hub Wikipedia
Recordings of Perotin (catalogs):
Discogs Todd M. McComb Music Brainz Naxos
Recordings of Perotin (select):
Tonus Peregrinus (Leonin / Perotin: Sacred Music from Notre-Dame Cathedral)
Viderunt omnes (Gregorian chant):
IMSLP (sheet music)
Further Reading:
The Conductus (musical form of the Notre Dame School):
Musical Notation: Rhythmic Mode: Britannica Wikipedia
Notre Dame: Kacie Morgan
Organum: Practice & Theory Stack Exchange
Philip the Chancellor (lyric poet & theologian c 1160-1236):
Stanford Encyclopedia of Philosophy
Tropes (additions or alterations): Wikipedia
Other Profiles of Perotin:
Classical Main Menu Modern Recording
hmrproject (at) aol (dot) com