Robert Schumann
Source: Tchaikovsky Research
Despite an early injury to his right hand that prevented him from playing piano as he'd have liked, Robert Schumann was a highly regarded compositional master in his own time and has remained so ever since. Born on 8 June 1810 in Zwickau, Kingdom of Saxony, Schumann had a bookseller, publisher and novelist for a father. He began piano instruction and wrote juvenile compositions at age seven. As he advanced he invented the entertainment of doing comical portraits at the keyboard. He was also a writer, beginning to show promise as a teenager.
In 1828 Schumann entered law school in Leipzig, then in Heidelberg the next year, necessary if he wished to receive an inheritance from his mother. His father had died by then. Robert that year met nine year-old Clara Wieck upon her debut public performance at the Gewandhaus on 28 October 1828. He then dropped law to live in the Wieck home for about a year while studying under Clara's father, Friedrich Wieck. Along the path of separate careers Clara and Robert would eventually marry on 12 September 1840. Clara was a wholly remarkable woman who, in addition to composing extensively (: 23 Opp) and performing piano concerts, bore eight children.
Clara Schumann
Autotype by Franz Hanfstaengl 1857
Source: Wikimedia Commons
Schumann's Op 1 is his 'Abegg Variations' written in 1829-30 toward publishing in Leipzig in November of 1831. Clara had written a four-part song and a couple of piano pieces in 1830, now lost, before completing her own Op 1 which was 'Quatre Polonaises' also published in 1831. Robert's first written criticism was also published in 1831, that concerning Chopin who was only nigh three months older than he, and whom he considered a genius and would promote as such.
'Variations on the name 'Abegg'' Op 1 Five piano pieces by Robert Schumann
1830 in Heidelberg Published 1831 in Leipzig
Piano: Jörg Demus
Fugue for Thought Hollywood Bowl IMSLP
Interlude Wendy Wang Wikipedia
'Quatre Polonaises' Op 1 Four piano pieces by Clara Schumann
1830 Published 1831 in Leipzig
Piano: Susanne Grützmann
Schumann's Op 2 was program music, his 'Papillons' ('Butterflies') also published sometime in 1831 to include a suite of 12 pieces referring to Jean Paul's novel, 'Die Flegeljahre'. Program music is distinguished from absolute music in that it is instrumental narrative referenced to something extramusical, compared to absolute music composed for its own sake. Clara's Op 2 was a set of nine 'Caprices en forme de valses' authored in 1832 toward publishing that year.
'Papillons' ('Butterflies') Op 2 12 piano pieces by Robert Schumann
1831 Published 1831
Piano: Jörg Demus
Misha Donat IMSLP Blair Johnston Wikipedia
'Caprices en forme de valses' Op 2 9 piano pieces by Clara Schumann
1832 Published 1832
Piano: Susanne Grutzmann
Schumann's Op 3 was a set of six caprices titled 'Etudes after Paganini' [IMSLP]. On 18 November 1832 the first movement of his incomplete 'Symphony in G minor' ('Zwickauer') was performed at the Gewandhaus in Zwickau. Thirteen year-old Clara performed piano at the same concert, though in association with her father, Friedrich, not Schumann's symphony which program fared not so well [Robert Schumann Haus]. Her own Op 3 was 'Romance variée' in C major published in 1833 [IMSLP]. Robert is thought by some to have first attempted suicide the same year.
In 1833 Schumann formed Davidsbündler ('League of David'), a musical society to promote progressive rather than "philistine" music. Members of this group included Clara and her father, Friedrich, Chopin, Paganini, and Franz and Ernst Otto. The first issue of Schumann's journal of musical criticism, 'Neue Zeitschrift für Musik', was published in 1834 [RIPM]. He continued to concentrate on piano works until 1840 when he composed 138 songs. The twenty-one pieces of his 'Carnaval' below represent 21 masked revelers at Carnival.
'Carnaval' Op 9 21 piano pieces by Robert Schumann
1835 Published 1837
Piano: Arthur Rubinstein in Warsaw 1966
Colby College IMSLP Interlude Wikipedia
'Davidsbündlertänze' Op 6 18 piano character pieces by Robert Schumann
'Dances of the League of David' (Schumann's musical society)
1837 Published 1837 in Leipzig
Dedicated to Walter Goethe, last grandson of Johann Wolfgang von Goethe
Piano: Tiffany Poon at the Palais im Großen Garten in Dresden 2023
'Kinderszenen' Op 15 13 piano pieces by Robert Schumann
'Scenes from Childhood'
Sometime 1838 Published 1839 in Leipzig dedicated to Chopin
Piano: Tiffany Poon at the Palais im Großen Garten in Dresden 17 June 2023
Hollywood Bowl IMSLP Wikipedia
'Kreisleriana' Op 16 8 piano fantasies by Robert Schumann
April 1838 Published 1838 in Vienna
Piano: Daria Burlak
Grant Hiroshima IMSLP Wikipedia
'Dichterliebe' ('A Poet's Love') Op 48 16 songs by Robert Schumann
1840 Revised and published 1844
Dedicated to the soprano Wilhelmine Schröder-Devrient
Lyrics from Heinrich Heine's 'Das Buch der Lieder' of 1823
Piano: Hubert Giesen Tenor: Fritz Wunderlich
What is catalogued as Schumann's 'Symphony No. 4' was actually his second that premiered in Leipzig on 6 December of 1841 as No. 2 at that time. The revised version premiered in Düsseldorf on 3 March of 1853.
'Symphony No.4' D minor Op 120 Robert Schumann
Completed June 1841 to premiere 6 Dec 1841 in Leipzig conducted by Ferdinand David
Revised June 1851 to premiere 3 March 1853 in Düsseldorf conducted by Robert Schumann
Version 1 dedicated to Clara Schumann Version 2 dedicated to Joseph Joachim
Scottish Chamber Orchestra / Robin Ticciati
Calvin Dotsey Peter Gutmann IMSLP
Michael Morrison Wikipedia Kenneth Woods
Schumann focused on chamber works in 1842, then became a professor at Mendelssohn's Conservatory of Music in 1843. Though Schumann had small affection for Jews he made Mendelssohn a guarded exception. He that year premiered what he felt to be his best work, his oratorio titled 'Das Paradies und die Peri' ('Paradise and the Peri') Op 50 with libretto by Emil Flechsig after Thomas Moore's 'Lalla-Rookh' of 1817.
'Das Paradies und die Peri' Op 50 Oratorio by Robert Schumann
Completed 1843 to premiere 4 Dec 1843 in Leipzig
Libretto by Emil Flechzig
Czech Philharmonic Choir of Brno / Petr Fiala
Brno Philharmonic / Roland Kluttig
Davidsbuendler IMSLP Wikipedia
In 1844 Schumann toured with Clara to Russia. His 'Symphony No.2' Op 61 was in the works as of December of 1845, premiering at the Gewandhaus in Leipzig on 5 November 1846. Schumann dedicated this symphony to Oscar I, King of Sweden and Norway, upon its publishing in 1847.
'Symphony No.2' C major Op 61 Robert Schumann
Premiere 5 Nov 1846 at the Gewandhaus in Leipzig conducted by Felix Mendelssohn
Mahler Chamber Orchestra / Daniel Harding
Proms Musical Festival at Royal Albert Hall in London 2013
Roger Dettmer IMSLP Steven Ledbetter
Tom Service Wikipedia Kenneth Woods
'Piano Trio No.1' D minor Op 63 4 movements by Robert Schumann
1847 toward publishing in 1848
Scored for piano / violin / cello
Piano: Inna Faliks Violin: Movses Pogossian Cello: Clive Greensmith
Zipper Hall in Los Angeles 23 Feb 2014
Kai Christiansen IMSLP Timothy Judd John Palmer Wikipedia
The only opera Schumann wrote was 'Genoveva' Op 81. In this tale Genoveva is a woman married to a Christian knight, Siegfried, Count of Brabante, who must off to protect Europe from Saracen threat. While away, Genoveva is falsely accused of adultery by a spiteful servant and imprisoned for the crime. Upon hearing word of such, Siegfried wants Genoveva put to death, though soon enough learns that she is innocent. Premiering this opera at the Stadttheater in Leipzig on 25 June of 1850, it wasn't well received and Schumann wouldn't write another.
Overture to 'Genoveva' Op 81 Opera by Robert Schumann
Completed 4 Aug 1848 toward premiere on 25 June 1850 at the Stadttheater in Leipzig
Published 1851
Libretto: Robert Reinick / Robert Schumann
BBC Symphony Orchestra / John Storgards
Regentenbau in Bad Kissingen, Germany 28 June 2007
The Guardian IMSLP NPR Redlands Symphony Wikipedia
It had also been 1850, before or after 'Genoveva's' premiere, that Schumann published 'Advice to Young Musicians'. His 'Symphony No.3' (the "Rhenish") in E-flat major Op 97 was composed in November and December of 1850 toward its premiere the next year on 6 February of 1851 in Düsseldorf. The numbering of his symphonies aside, this was Schumann's final.
'Symphony No.3' E-flat major Op 97 Final symphony by Robert Schumann
'Rhenish Symphony'
Completed 9 Dec 1850 to premiere 6 Feb 1851 in Düsseldorf Published 1851
Scottish Chamber Orchestra / Robin Ticciati
Calvin Dotsey Susan Halpern IMSLP
Blair Johnston John Mangum Wikipedia Kenneth Woods
It was 1853 when Clara Schuman authored 'Drei Romanzen' Op 21 for piano followed by 'Drei Romanzen' Op 22 for piano and violin, the latter dedicated to violinist Joseph Joachim (1831-1907). It was also 1953 when she completed 'Sechs Lieder aus 'Jucunde' von Hermann Rollet' on the 21st of June. That was her final Opus as Op 23. See Hermann Rollet at IMSLP and Ockerbloom.
'Drei Romanzen' Op 21 3 piano pieces by Clara Schumann
Completed 1853
1: Andante
2: Allegretto
3: Agitato
Piano: Sharon Prushansky
'Drei Romanzen' Op 22 3 piano pieces by Clara Schumann
Completed 1853 Published 1855
1: Andante molto in D-flat major
2: Allegretto mit zartem Vortrage in G minor
3: Leidenschaftlich schnell in B-flat major
Piano: Tatiana Chernichka Violin: Audrey Park
Queen Elisabeth Competition in Brussels, Belgium 2024
'Sechs Lieder aus 'Jucunde' von Hermann Rollet' Op 23 6 songs by Clara Schumann
Completed 21 June 1853 in Düsseldorf Published 1856 in Leipzig
鋼琴: 李偵慈 (Piano: Li Zhenci)
女高音: 韓靜雯 (Soprano: Han Jingwen)
Schumann's works for piano generally fared better with critics than his orchestrations. Among his latest compositions were the five pieces in 'Gesänge der Frühe' ('Morning Songs' or 'Chants de l'aube') Op 133 which arrived in October 1853.
'Gesänge der Frühe' ('Morning Songs') Op 133 5 piano pieces by Robert Schumann
Completed Oct 1853 Published 1855
Piano: Hélène Boschi
IMSLP polymorph Wikipedia This album
It had been 29 August 1849 when Franz Liszt conducted portions of Schumann's 'Scenes from Goethe's Faust', an overture in D minor begun in 1842 as an oratorio, dropped, then resumed again in 1844 to see final completion in December 1853. Though not an opera, this is generally considered to be Schumann's finest dramatic work, based as it is on Goethe's 'Faust' of 1808, a major literary thrust in the rise of the Romantic period. Schumann's work entire, however, didn't see performance until 1862 several years after his death.
Overture of 'Scenes from Goethe's Faust' D minor WoO 3
Secular oratorio by Robert Schumann
Composed off and on from 1842 to 1853
Posthumous premiere 13 Jan 1862 in Cologne
Piano reduction published 1858
Cambridge University Sinfonia / Toby Hession
West Road Concert Hall in Cambridge, England 25 Nov 2017
IMSLP Bradford Robinson Wikipedia
Schumann had met twenty year-old Johannes Brahms in early 1853, whom he considered a genius and with whom both he and Clara became close friends. He begun his 'Geistervariationen' ('Ghost Variations') in E-flat major WoO 24 the next year on 10 February of 1854. On 27 February he attempted suicide by jumping into the Rhine from a bridge in Düsseldorf. Pulled from the water by fishermen, he then completed 'Geistervariationen' the next day and gave the manuscript to Clara. That was Schumann's final work, as he then requested committal to a sanitarium, to enter the Endenich asylum in Bonn on 4 March 1854. He died two and half years later at age 46 on 29 July of 1856, only two days after Clara's only visit to see him at Endenich. Though it isn't proven what killed Schumann, it's generally thought to have been syphilis exaggerated by mercury used at the time for a cure.
'Geistervariationen' ('Ghost Variations') WoO 24
Six piano pieces in E-flat major by Robert Schumann
Composed 1854
Piano: Suguru Ito
Cambridge University Sinfonia / Toby Hession
West Road Concert Hall in Cambridge, England 25 Nov 2017
IMSLP Interlude polymorph Wikipedia
During the latter years of Clara's life following Robert's death she transcribed works by Brahms and Schumann for publishing, but altogether ceased to write music excepting a short piano piece for the wedding of a friend in 1879. She died about forty years after Robert in Frankfurt on 20 May 1896.
Sources & References for Robert Schumann:
Classical Net Aryeh Oron (Bach Cantatas)
VF History (notes) Wikipedia English
Associates Musical:
Clara Schumann (1819-96 / composer / pianist / wife as of 12 Sep 1840):
Audio: Classical Archives LA Phil Presto
Compositions (by date / by genre)
Compositions (by date / by genre / by Opus)
Compositions (by Opus)
Lyrics:
Sechs Lieder aus 'Jucunde' von Hermann Rollet (1853): English German
Recordings of Clara Schumann: All Music Discogs Music Brainz
Further Reading:
Amelie Bazile (A Story of Grace, Determination, and Excellence)
Benedikt von Bernstorff (The woman of the century)
Natalia Kazaryan (Clara Schumann and Brahms Through the Eyes of Eugenie Schumann)
Bibliography:
Nancy B. Reich (Clara Schumann: The Artist and the Woman / Cornell University Press / 2013)
Audio of Robert Schumann: Corpora:
UCSB (cylinder recordings 189?-1920)
U Discover Music (10 essential pieces)
Audio of Schumann: Individual:
Geistervariationen (Ghost Variations / WoO 24 / 1854 / piano by Andreas Staier)
Variations on the name 'Abegg' (Op 1 / 1830 / piano by Tanya Bannister)
Authorship:
Advice to Young Musicians / 1850:
Google Books Gutenberg Jeffrey Mackie-Mason Tom Service Violinist
Autographs / Digital Copies / Texts:
Heinrich Heine Universität Düsseldorf
Jucunde (Hermann Rollet / 1853)
Chronologies:
Hyperion San Francisco Classical Voice The Schumann Netzwerk
Collections: MDZ Robert Schumann Haus Zwickau
Compositions: Corpora:
Classical Net (by genre)
Classic Cat (by Opus)
IMSLP (by Opus)
IMSLP (symphonies)
Klassika (alphabetical)
Klassika (chronological)
Klassika (by Opus)
Musique et Musiciens (by genre)
Musique et Musiciens (by Opus)
Musique et Musiciens (songs alphabetical)
Musique et Musiciens (voice)
Wikipedia (chamber)
Wikipedia (choral / song)
(русском) (by genre)Wikipedia (by genre / by Opus)
Compositions: Individual (mentioned herein):
Symphony in G minor (Zwickauer Symphony / WoO 29 / 1832):
IMSLP Michael Morrison Wikipedia
Schumann in Film / Television: IMDb
Iconography: Wikimedia Commons
Librettos / Lyrics:
Scenes from Goethe's Faust (Goethe)
Recordings of Schumann: Catalogs:
DAHR (shellac 1897-1947)
Recordings of Schumann: Select:
The Complete Songs (10 CDs of Graham Johnson at piano / 2010):
About by Graham Johnson
Genoveva (opera Op 81 / 1850 / Arnold Schoenberg Choir & Chamber Orchestra of Europe / Nikolaus Harnoncourt / 1996)
Scenes from Goethe’s Faust (1853 / Chor des Städtischen Musikvereins zu Düsseldorf w Tölzer Knabenchor & the Düsseldorfer Symphoniker w Bernhard Klee / 1981)
Scenes from Goethe’s Faust (1853 / Warsaw Boys and Philharmonic Choirs w the Warsaw Philharmonic Orchestra / Antonni Wit / Naxos 8.572430-31 / 2011):
About by Keith Anderson
Symphonies Nos. 2 & 4 (Philadelphia Orchestra / James Levine / RCA / 2003)
Scores / Sheet Music: Corpora:
ClassicaLand CPDL (choral and song alphabetical)
MuseScore Musicalics (vendor)
Scores / Sheet Music: Individual:
Papillons (Butterflies / 1831)
Suicide Attempt of 27 February 1854:
Calvin Dotsey (and Brahms)
Dr. Douglas Pew (and Brahms)
Further Reading:
Absolute Music: CMAB Encyclopedia Wikipedia
Aigi Heero
(German / Poetry and music: On intermediality in the early writings of Robert
Schumann /
Tallinn University / 2007)
Galya Konstantinova (русский / Music of Romanticism: What Was It Like?)
Kunst und Kulturverein Robert Schumann Kreischa
Program Music: Britannica New World Encyclopedia Wikipedia
Robert Schumann Gesellschaft (Robert Schumann Society)
Robert Schumann Prize: Français русский
Dr. Reinhard Steinberg (Robert Schumann in Endenich: The Diagnosis and Course of His Illness / 2016)
Der Verein Schumannhaus Bonn (The Schumannhaus Association Bonn)
Wikipedia (usage of timpani in Schumann)
Wikipedia (Español / War of the Romantics)
Wilhelm Joseph von Wasielewski (German / Robert Schumann: Eine Biographie / Kuntze / 1869)
Bibliography:
Abe Books (vendor)
Bibliographie des Musikschrifttums Online
Jessica Duchen (Ghost Variations: The Strangest Detective Story In the History of Music / Unbound Publishing / 2016):
Peter F. Ostwald (Schumann: The Inner Voices of a Musical Genius / Northeastern University Press 1985)
Authority Search:
BMLO BNF Data Deutschen Digitale Bibliothek Deutsche Nationalbibliothek
Other Profiles:
Brockhaus and Efron Encyclopedic Dictionary (Энциклопедический словарь Брокгауза и Ефрона)
Bobb Edwards (Find a Grave)
Larousse (Français)
National Public Radio (NPR)
Wikipedia International: Deutsch Español Français русский
Wikisource (Deutsch)
Classical Main Menu Modern Recording
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