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Sonnets of Edna St. Vincent Millay

The Harp-Weaver

From an Ungrafted Treef

I

So she came back into his house again

And watched beside his bed until he died,

Loving him not at all. The winter rain

Splashed in the painted butter-tub outside,

Where once her red geraniums had stood,

Where still their rotted stalks were to be seen;

The thin log snapped; and she went out for wood,

Bareheaded, running the few steps between

The house and shed; there, from the sodden eaves

Blown back and forth on ragged ends of twine,

Saw the dejected creeping-jinny vine,

(And one, big-aproned, blithe, with stiff blue sleeves

Rolled to the shoulder that warm day in spring,

Who planted seeds, musing ahead to their far blossoming).

 

II

The last white sawdust on the floor was grown

Gray as the first, so long had he been ill;

The axe was nodding in the block; fresh-blown

And foreign came the rain across the sill,

But on the roof so steadily it drummed

She could not think a time it might not be —

In hazy summer, when the hot air hummed

With mowing, and locusts rising raspingly,

When that small bird with iridescent wings

And long incredible sudden silver tongue

Had just flashed (and yet maybe not!) among

The dwarf nasturtiums — when no sagging springs

Of shower were in the whole bright sky, somehow

Upon this roof the rain would drum as it was drumming now.

 

III

She filled her arms with wood, and set her chin

Forward, to hold the highest stick in place,

No less afraid than she had always been

Of spiders up her arms and on her face,

But too impatient for a careful search

Or a less heavy loading, from the heap

Selecting hastily small sticks of birch,

For their curled bark, that instantly will leap

Into a blaze, nor thinking to return

Some day, distracted, as of old, to find

Smooth, heavy, round, green logs with a wet, gray rind

Only, and knotty chunks that will not burn,

(That day when dust is on the wood-box floor,

And some old catalogue, and a brown, shriveled apple core).

 

IV

The white bark writhed and sputtered like a fish

Upon the coals, exuding odorous smoke.

She knelt and blew, in a surging desolate wish

For comfort; and the sleeping ashes woke

And scattered to the hearth, but no thin fire

Broke suddenly, the wood was wet with rain.

Then, softly stepping forth from her desire,

(Being mindful of like passion hurled in vain

Upon a similar task, in other days)

She thrust her breath against the stubborn coal,

Bringing to bear upon its hilt the whole

Of her still body . . . there sprang a little blaze . . .

A pack of hounds, the flame swept up the flue! —

And the blue night stood flattened against the window, staring through.

 

V

A wagon stopped before the house; she heard

The heavy oilskins of the grocer's man

Slapping against his legs. Of a sudden whirred

Her heart like a frightened partridge, and she ran

And slid the bolt, leaving his entrance free;

Then in the cellar way till he was gone

Hid, breathless, praying that he might not see

The chair sway she had laid her hand upon

In passing. Sour and damp from that dark vault

Arose to her the well-remembered chill;

She saw the narrow wooden stairway still

Plunging into the earth, and the thin salt

Crusting the crocks; until she knew him far,

So stood, with listening eyes upon the empty doughnut jar.

 

VI

Then cautiously she pushed the cellar door

And stepped into the kitchen — saw the track

Of muddy rubber boots across the floor,

The many paper parcels in a stack

Upon the dresser; with accustomed care

Removed the twine and put the wrappings by,

Folded, and the bags flat, that with an air

Of ease had been whipped open skillfully,

To the gape of children. Treacherously dear

And simple was the dull, familiar task.

And so it was she came at length to ask:

How came the soda there? The sugar here?

Then the dream broke. Silent, she brought a mop,

And forced the trade-slip on the nail that held his razor strop.

 

VII

One way there was of muting in the mind

A little while the ever-clamorous care;

And there was rapture, of a decent kind,

In making mean and ugly objects fair:

Soft-sooted kettle bottoms, that had been

Time after time set in above the fire,

Faucets, and candlesticks, corroded green,

To mine again from quarry; to attire

The shelves in paper petticoats, and tack

New oilcloth in the ringed-and-rotten's place,

Polish the stove till you could see your face,

And after nightfall rear an aching back

In a changed kitchen, bright as a new pin,

An advertisement, far too fine to cook a supper in.

 

VIII

She let them leave their jellies at the door

And go away, reluctant, down the walk.

She heard them talking as they passed before

The blind, but could not quite make out their talk

For noise in the room — the suddenly heavy fall

And roll of a charred log, and the roused shower

Of snapping sparks; then sharply from the wall

The unforgivable crowing of the hour.

One instant set ajar, her quiet ear

Was stormed and forced by the full rout of day:

The rasp of a saw, the fussy cluck and bray

Of hens, the wheeze of a pump, she needs must hear;

She inescapably must endure to feel

Across her teeth the grinding of a backing wagon wheel.

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