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About Viola Fair
Got My Mojo Workin' Muddy Waters 1963
Viola Fair first went online in June 2002, designed for PCs, not mobile devices. via now defunct FrontPage. Since code isn't my favorite thing this site's compatibility with smartphones remains crude. Its original purpose was to advertise freelance back-of-book indexing which I did for about four years. As that required only five pages I began experimental projects like a vanity tack board for ancient art, an index to the yet young internet which didn't get real large, thus abandoned, and the sonnets of Edna St. Vincent Millay and William Shakespeare, the latter for which I made what may be the internet's first charts of Roman Numerals because there were none to be found on the web at that time. As I found content alone to be a big enough task I kept violafair a vanity site, neither advertising, affiliating, marketing nor selling anything. Research rather than profit remains my focus to this day. This is not an AI website; I made this whole mess all by myself.
== Launch ==
As mentioned, the initial purpose of Viola Fair was to advertise
back-of-book indexing
services. That lasted to only 2004 (a hundred books or so), in the meantime
adding art,
literature and various other experiments. By 2003 VF
had expanded into a
publishing industry and international art index, now long since abandoned. However,
late in 2004, about the time that blogging was emerging with note on the
internet, violafair had to be abandoned as I returned to driving big trucks. In mid-2005 the webmaster's computer
was destroyed (electric bump too great for ample surge protection), upon which additional software problems left the website in
ruination. Though in a state of rubble, VF was left online. Not until late 2010,
after six years of drifting unattended in internet space, was it possible to
readdress Viola Fair, at which time the site was redesigned bare bones. Even drop-down menus were removed in the
interest of simplicity since VF was only a personal tack wall to which I
added some digital art that year. The music histories hadn't yet been conceived
that I should know the need for drop-down menus, now core to the
HMR Project
as of 2021.
== Art ==
Art (in some cases "art") accounts for only about 1% of website visitation. In four categories: 1. Conceptual
cartoons inspired by simple math
equations on scratch paper done as a cashier at a book store in the early
nineties. 2. Fundamental art studies ranging from portraiture and the human figure in
various mediums (acrylics, oils, charcoal, conte, ink, pastel, pencil), to the
abstract, conceptual, expressionistic and illustrative, again in various
mediums. Ancient stuff, as of 1978. Editorial ''Scratch''
begun in the latter nineties as textual redactions exercised into abstract conceptual paintings. 4. Pirate
conceptual digital art, as of 2010-11 which begins
with a digital image, either original or downloaded from the internet, that gets
rearranged with Picasa's retouching tool. Sometimes the original is left
unaltered enough to easily recognize it. Other times it gets deconstructed,
morphed and reconstructed to degree that it becomes an entirely other
representation. One could call them responses to the originals to various
measures. Albeit often a tongue-in-cheek indulgence, Pirate Art is one section
concerning which a seeming confluence between analogue and digital phenomena
occur. All in all, there is some remarkable art on this website.
== Music ==
The VF History of Music &
Modern Recording accounts for about 85% of website traffic. It's the project
that put others to abandonment years ago, violafair having since become more a fair of
musical fare. This project was begun in latter 2011 per wifi at truck stops. I was driving big trucks in
the States and Canada at the time. I spent the first couple years attempting to not work on it,
not having the time, just "fiddling" around. But I was done with
big trucks by 2013 when I began working on the histories full time. The whole
Notes section had been completed in draft in 2015, growing
from the medieval period in classical (@ 500 AD) to
musicians surfacing on vinyl by 1970 in modern recording.
I then spent the next five years through 2020 getting myself out of the
trouble I'd gotten myself into. The music histories cover the Western hemisphere in ten books
on classical, black gospel, blues, country, folk, jazz, Latin recording, boogie woogie, R&B-rock
and popular music including ragtime, film and television. I had thought to take the
history one more decade to 1980. But after working through a section in
seventies rock I figured that would require a couple of years too long to
complete in all genres, so I ceased at 1970. The VF History equals two parts:
the condensed historically comparative Volume 1 which is Notes for Volume 2 that
is the HMR Project begun in 2021.
History of Music & Modern Recording Project
Classical /
Modern Recording /
Topics /
Chronicle /
About.
== Poetry ==
Poetry accounts for only 12% of website use, especially the
sonnets of Edna St. Vincent Millay, way beyond the sonnets of Shakespeare.
I gathered Millay together in 2002 upon noting the absence of just such
documentation on the internet (likely no more).
Shakespeare couldn't but join
her (for which I needed the Roman Numeral charts above).
The Gypsy's Address at Something Strange is a
silly romping comedy by myself, a rhyming heroic romantic science fiction adventure
through black holes
into parallel universes in big trucks,
written in meter and rhyme in 2006 at seventy miles per hour in a Pete 379. Before Obama. Really just a
Hollywood action film without much substance beyond humor or discipline (meter and rhyme). Though
much I've written over the years including journals and bad or striving
novels, there's not much I care to publish since most of it
wasn't written to that purpose, being generally an examination of some kind
or other. As to literature in general, I was largely preoccupied in younger years
with philosophy and psychoanalysis, propelled
by sense of responsibility to read and build a library of the world's great
authors together with libraries of good films and music. The monumental in
my experience were such as Shakespeare, Nietzsche and Derrida, albeit as a writer
rather than in philosophical, political or religious identity. I
began to pursue writing myself in my latter twenties because it presented
what I thought would be the most difficult challenge for me to undertake.
(I had read loads of poetry though was not particularly fond of it.) Writing
for me has mostly been didactic, a method of learning.
== Vaping ==
Once upon a time VF contained an instructional nonprofit section about making juice real cheap,
but became too much a distraction to continue.
I myself had started vaping to quit cigarettes in 2013. I stopped some ten
years later after one too many cheap batteries wanted me to purchase yet
another device. Since juices are
commonly marked up to about fifteen hundred percent above cost it seemed that instructions to
easily concoct juices by oneself would be helpful. As for equipment, however, after
above ten years
of vaping I yet couldn't find a manufacturer that
produced a product that wasn't intentional junk with quality control
purposefully
ignored. Vaping companies discourage making your own juice and
invariably sell the lowest quality batteries on Earth. Planned obsolescence
is in full design by an industry which wants people addicted and spending as
much on vaping as smokers do on smoking. Be as may, you can
quit smoking via vaping. There are only four simple ingredients to your own
DIY juice which doesn't cost so much as a dime per mix (compared to
$15-$50): vegetable glycerin (VG) for combustion, propylene glycol (PG) for
cloud, and food flavoring. As for nicotine, it is much more powerful by vape
than smoke. Use less. Continue to add less as you go to gradually
quit, or as I, make a batch completely without and be nicely surprised that
you don't need any nicotine at all. No addiction. Vaping should cost only
perhaps 10% of what smoking did (especially now when a good cigarette can
absurdly cost $20 a pack). Someone who wanted to make a load in
this industry could supply a better battery, cut the price of juice in half
or more, and design practical and reliable devices for people who vape, not
who are looking for novel science projects on a fashion runway.
== Statistics ==
This section isn't updated because it's boring and I've forgotten why it's
here.
== Initial Inspiration ==
'Viola Fair' is the name of a website rather than a person, excepting the
woman at Inspiration whose name I've imagined to be Viola Fair and on whose
back I am writing this.
Intellectual property in general, artistic or
literary, is copyright of this website, 'violafair.com', and its owner,
Larry Tipton, where not otherwise noted.
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