

Bobby Hackett
Source: Rhode Island Music Hall
Born in Providence, Rhode Island, on 31 January 1915, trumpeter, Bobby Hackett, was one of nine poor children who quit school at age fourteen to perform on guitar and violin at a Chinese restaurant. His musical hero became Louis Armstrong whence he took up cornet and trumpet. Rotating through several bands in New York City including Dixieland, he began his recording career with the band of Dick Robertson on 24 March 1937 per ''Little Old Lady' / 'Too Marvelous for Words' (Decca 1209) and 'My Little Buckaroo' / 'September in the Rain'' (Decca 1215) [Lord]. Hackett backed Robertson's band into 1939 [Lord]. Seven months later he appeared with the Vic Schoen Orchestra, recording 'Why Talk About Love?' and 'Just a Simple Melody' (Decca 1496) with the Andrews Sisters in New York City on October 14, 1937. Four tracks then ensued with the Frank Froeba Orchestra on the 18th including such as 'My Swiss Hill Billy and 'Miles Apart'.
'My Little Buckaroo' Bobby Hackett w Dick Robertson & His Orchestra
Hackett's third-known recording
24 March 1937 in NYC Matrix 62076-A Decca 1215
Trumpet: Hackett Trombone: Al Philburn Clarinet: Sid Trucker
Piano: Frank Signorelli Guitar: Frank Victor
Bass: Haig Stephens Drums: Stan King Vocal: Robertson
Composition: M.K. Jerome / Jack Scholl
'Why Talk About Love' Bobby Hackett w the Andrews Sisters
14 Oct 1937 in NYC Matrix 62686 Decca 1496
Vic Schoen Orchestra
The Andrews Sisters: LaVerne / Maxene / Patty
Cornet: Hackett Trombone: Al Philburn Clarinet: Don Watt
Piano: Frank Froeba Guitar: Dave Barbour
Bass: Haig Stephens Drums: Stan King
Composition: Lew Pollack / Sidney D. Mitchell
'Just a Simple Melody' Bobby Hackett w the Andrews Sisters
14 Oct 1937 in NYC Matrix 62687 Decca 1496
Vic Schoen Orchestra
The Andrews Sisters: LaVerne / Maxene / Patty
Cornet: Hackett Trombone: Al Philburn Clarinet: Don Watt
Piano: Frank Froeba Guitar: Dave Barbour
Bass: Haig Stephens Drums: Stan King
Composition: Sammy Cahn / Saul Chaplin
'Tears In My Heart' Bobby Hackett w the Frank Froeba Orchestra
18 Oct 1937 in NYC Matrix 62694 Decca 1500
Cornet: Hackett Trombone: Buddy Morrow
Clarinet / alto sax: Don Watt / Milt Yaner / Sal Franzella
Tenor sax: John Sadola Piano: Frank Froeba
Bass: Haig Stephens Drums: Al Sidell Vocal: Bill Darnell
Composition: Teddy Powell / Leonard Whitcup
With above 467 sessions to his name, 158 of those as a leader, among Hackett's more important partners was guitarist, Eddie Condon, whose sWindy City Seven Hackett joined to record such as two takes each of 'Love Is Just Around the Corner and 'Ja-da' on January 17, 1938. One take of each was issued on Commodore 500. The next month Condon supported Hackett in his first session as a leader, putting down such as 'You, You and Especially You' (Vocalion 4142) with vocalist, Lola Bard. Condon and Hackett were nigh the left and right rail of the same track for more than a decade, both supporting each other's projects and those of others to 1950. They would reunite in 1955, later in the sixties and lastly on July, 1974, for a tribute to Ben Webster at Carnegie Hall: 'Avalon', 'Lady Be Good', 'Don't Blame Me', et al.
'You, You and Especially You' Bobby Hackett w Eddie Condon
16 Feb 1938 in NYC Matrix M-754-1 Vocalion 4142
Cornet: Hackett Trombone: Buddy Morrow
Clarinet / alto sax: Don Watt / Milt Yaner / Sal Franzella
Tenor sax: John Sadola Piano: Frank Froeba Guitar: Condon
Bass: Haig Stephens Drums: Al Sidell Vocal: Lola Bard
Composition: Teddy Powell / Leonard Whitcup
'At the Jazz and Ball' Bobby Hackett & His Band w Eddie Condon
From the film 'Saturday Night Swing Club'
Vitaphone #B126
Recorded possibly 18 Feb 1938 in NYC Filmed possibly in April 1938
Released 30 July 1938
Cornet: Hackett Trombone: George Brunies Clarinet: Pee Wee Russell
Piano: Dave Bowman Banjo: Condon
Bass: Clyde Newcomb Drums: Johnny Blowers
Composition: Nick LaRocca / Larry Shields 1917
Per Tom Lord:
Recorded again on 25 June 1938 for the 'Saturday Night Swing Club' radio broadcast
The band that early put Hackett's career into high gear and with which he began to distinguish himself was Glenn Miller's orchestra, which he joined in time for a number of 'Chesterfield Show' broadcasts from Eastwood Gardens in Detroit, Michigan, in July of 1941, resulting in such as 'Ida' and 'Measure for Measure'. Hackett's time with Miller was highly productive though relatively short-lived, he last to sit in Miller's band on September 24, 1942, for another 'Chesterfield Show' before Miller folded up shop, joined the military per World War II and didn't came back.
'Sunset Serenade' (radio broadcast) Bobby Hackett w Glenn Miller & His Orchestra
NBC radio broadcast from the Steel Pier in Atlantic City NJ
30 Aug 1941 See Soundcraft 1001 / Jazz Hour JH1021
'Sunset Serenade' (radio broadcast) Bobby Hackett w Glenn Miller & His Orchestra
NBC radio broadcast from the Cafe Rouge at the Hotel Pennsylvania in NYC
29 Nov 1941 See Jazz Hour JH4002 Other titles on various Victor
'When Your Lover Has Gone' Bobby Hackett w Eddie Condon & His Orchestra
13 Dec 1944 in NYC Matrix 72619-A Decca 23393
Trumpet: Hackett / Billy Butterfield / Max Kaminsky
Trombone: Jack Teagarden Baritone sax: Ernie Caceres
Piano: Gene Schroeder Guitar: Condon
Bass: Bob Haggart (arrangement) Drums: George Wettling
Composition: E.A Swan
In 1953 Hackett was asked to play on Jackie Gleason's first mood music album: 'Music for Lovers Only' which included 'My Funny Valentine'. Hackett played on the next ten Gleason albums as well. (Jackie Gleason himself was an extraordinary television comedian: 'The Honeymooners', 'The Jackie Gleason Show'. But he was merely a front man to all the beautiful mood music that was produced in his name. Gleason himself played no instruments, nor composed nor arranged any music.
'It All Depends On You' Bobby Hackett
Sometime 1953 From the Jackie Gleason album 'Music to Make You Misty'
Trumpet: Hackett / Billy Butterfield / Max Kaminsky
Trombone: Jack Teagarden Baritone sax: Ernie Caceres
Piano: Gene Schroeder Guitar: Condon
Bass: Bob Haggart (arrangement) Drums: George Wettling
Composition: Buddy DeSylva / Ray Henderson / Lew Brown
Another important musical associate of Hackett's, was trombonist, Jack Teagarden, with whom Hackett performed memorable duets. Theirs was a continuous companionship for more than a decade. Hackett's first tracks with Teagarden had been per above with Condon's Windy City Seven in 1938. Teagarden sided for Hackett on numerous occasions. They last recorded together for Teagarden's operation at the Hollywood Bowl on July 26, 1963.
'I Found a New Baby' Bobby Hackett w Jack Teagarden
Sep 1957 in NYC From the album 'Jazz Ultimate'
Trumpet: Hackett Trombone: Teagarden Clarinet / tenor sax: Peanuts Hucko
Piano: Gene Schroeder Guitar: Billy Bauer
Bass: Jack Lesberg Drums: Buzzy Drootin
Composition: Jack Palmer / Spencer Williams 1926
Another trombonist Hackett joined on multiple occasions was Vic Dickenson. They first recorded together on October 22, 1945, backing Peggy Lee with the Jubilee Allstars on 'You Was Right, Baby'. Dickenson often backed Hackett in 1951-52, 1955, 1963 and 1969-74. Their last session was in 1974 at the Carnegie concert per above with Eddie Condon in tribute to Ben Webster.
'This Is My Bag' Bobby Hackett Quartet w Vic Dickenson Album
Nov and/or December 1968 in NYC Project3 PR5034SD
Cornet: Hackett Trombone: Dickenson
Piano: Don Forestieri
Bass: Tito Russo Drums: Joe Brancato
Among other prominent musicians with whom Hackett performed was Zoot Sims. Tom Lord finds them first recording together on 30 December 1957 for a Timex All Star Jazz Show with Woody Herman. A decade later Sims supported Hackett's band on several sessions, one for the album 'Creole Cookin' on 30 January 1967. They then made a couple recordings in 1974, one for the album titled 'Strike Up the Band', then held a session the next month with vibraphonist, Peter Appleyard.
'Strike Up the Band' Bobby Hackett
3 Aug 1974 in NYC From the album 'Strike Up the Band'
Trumpet: Hackett Tenor sax: Zoot Sims
Piano: Hank Jones Guitar: Bucky Pizzarelli
Bass: Richard Davis Drums: Mel Lewis Arrangement: Glenn Osser
Composition: George & Ira Gershwin
'After You've Gone' Bobby Hackett w Peter Appleyard & the Jazz Giants
14 Sep 1974 in Toronto, Ontario
From the album 'The Lost Sessions' on Linus 270135
Cornet: Hackett Trombone: Urbie Green Tenor sax: Zoot Sims
Vibes: Appleyard Piano: Hank Jones
Bass: Slam Stewart Drums: Mel Lewis
Music: Turner Layton Lyrics: Henry Creamer 1918
Tom Lord traces Hackett to as late as 7 May 1975 for a live session at the Scotch & Sirloin Restaurant in Boston issued on Swing Time ST-011-H. That included such as 'Lover Come Back to Me' and 'How Come You Do Me Like You Do'. Hackett passed away a year later in Chatham, Massachusetts, on 7 June 1976.
Sources & References for Bobby Hackett:
Bill Bennett (Musician Guide)
VF History (notes)
Scott Yanow: All Music Syncopated Times
Audio of Hackett: Internet Archive YouTube YouTube YouTube
Discussion: Organissimo
Filmographies: IMDb
Recordings: Catalogs:
45 Cat Discogs Jazz Journal (for Jackie Gleason) Music Brainz RYM SHS
Recordings: Compilations:
The Complete Capitol Bobby Hackett Solo Sessions / 1953-59 / Mosaic Records / 2001:
All About Jazz All Music Discogs
Complete Fifties Studio Recordings / w Jack Teagarden / 1955-57 / Phoenix Records:
MusicWeb International Discogs
Complete Recordings / w Zoot Sims / 1967/74 / Lone Hill Jazz / 2009: Discogs
Recordings: Sessionographies:
DAHR (1937-1951)
Jan Evensmo / Per Borthen (solography 1937-1966)
Tom Lord: leading 158 of 467 sessions 1937-1975
Further Reading:
Hackett with Louis Armstrong: Dippermouth
Other Profiles of Hackett:
Kim Field From the Vaults Old River Jazz Society Riverwalk Jazz Rhode Island Music Hall of Fame