

Marion Hutton
Photo: Murray Korman
Source: 42nd Street
Born Marion Thornburg on 10 March 1919 in Battle Creek, Michigan, Marion Hutton, elder sister of Betty Hutton by two years, began performing at age five with her mother and sister in their family's speakeasy. Like her sister, Betty, Marion began her professional singing career with Vincent Lopez. Unlike her sister, if she recorded with Lopez there is no record of it. Discovered by Glenn Miller in 1938, while Betty remained in California to build a career in film (until an appearance on Broadway in 1940) Marion headed to points East with Miller's swing orchestra. Though Marion wasn't the film star that her sister was she was considerably the more focused on recording with above 300 sessions traced by Tom Lord, most of them with Miller. Lord finds Marion recoding with Miller as early as 13 December 1938 in New York City toward 'Mutiny in the Nursery' sung with Ray Eberle and Tex Beneke. That was a CBS radio broadcast from the Roseland State Ballroom in Boston, later to see issue in the UK on Soundcraft LP-1022 and Ajazz 513.
'Mutiny in the Nursery' Marion Hutton w Ray Eberle and the Glenn Miller Orchestra
13 Dec 1938 Soundcraft 1022 / Ajazz 513
Trumpet: Johnny Austin / Bob Price / Claude Bowen
Trombone: Miller / Paul Tanner / Al Mastren
Alto sax: Hal McIntyre / Wilbur Schwartz / Bill Stegmeyer (tenor)
Tenor sax: Stanley Aronson (clarinet) / Tex Beneke (vocal)
Piano: Chummy MacGregor Bass: Rollie Bundock Drums: Bob Spangler
Arrangement: Bill Finegan
Composition: Johnny Mercer
A date for NBC on 23 December 1938 from the Paradise Restaurant in New York City heard Marion singing 'What Have You got That Gets Me?' and 'Wait Until My Heart Finds Out'. Those transcriptions saw later issue on CD per Jazz Hour JH1004. Multiple broadcasts for NBC from the Paradise Restaurant in New York City ensued into 1939 when Hutton sang titles backed by Miller for the Bluebird label: 'Shut-Eye' (10139) and 'Cuckoo in the Clock' / 'Romance Runs in the Family' (10145). Eberle was flip to 10139 per 'How I'd Like to Be with You in Bermuda'.
'Cuckoo in the Clock' Marion Hutton w the Glenn Miller Orchestra
6 Feb 1939 Matrix 033609-1 Bluebird 10145
Trumpet: Charlie Hill / Bob Price / Legh Knowles
Trombone: Miller / Paul Tanner / Al Mastren
Alto sax: Hal McIntyre / Wilbur Schwartz
Tenor sax: Al Klink / Tex Beneke / Stanley Aronson
Piano: Chummy MacGregor Guitar: Allan Reuss
Bass: Rolly Bundock Drums: Cody Sandifer
Arrangement: Bill Finegan
Composition: Walter Donaldson / Johnny Mercer
'Love with a Capital "You"' Marion Hutton w the Glenn Miller Orchestra
16 Nov 1939 in Cedar Grove NJ NBC 'Meadowbrook' radio broadcast See Buddha CD99602 (CD)
Trumpet: Leigh Knowles / Clyde Hurley / Dale "Mickey" McMickle / John Best
Trombone: Miller / Paul Tanner / Al Mastren / Frank D'Annolfo
Alto sax: Hal McIntyre / Wilbur Schwartz (clarinet) / Jimmy Abato (baritone)
Tenor sax: Tex Beneke / Al Klink
Piano: Chummy MacGregor Guitar: Dick Fisher
Bass: Rollie Bundock Drums: Maurice Purtill
Music: Ralph Rainger Lyrics: Leo Robin
'The Woodpecker Song' Marion Hutton w the Glenn Miller Orchestra
29 Jan 1940 in NYC Matrix 046739-1 Bluebird 10598
Trumpet: Leigh Knowles / Clyde Hurley / Dale "Mickey" McMickle / John Best
Trombone: Miller / Paul Tanner / Howard Gibeling / Frank D'Annolfo
Alto sax: Hal McIntyre / Wilbur Schwartz (clarinet) / Jimmy Abato (baritone)
Tenor sax: Tex Beneke / Al Klink
Piano: Chummy MacGregor Guitar: Dick Fisher
Bass: Rollie Bundock Drums: Maurice Purtill
Music: Eldo Di Lazzaro Lyrics: Bruno Cherubini (Italian) / Harold Adamson (English)
From 'Reginella campagnola' ('Queen of the Countryside')
'Happy In Love' Marion Hutton w the Glenn Miller Orchestra
8 Dec 1941 in NYC Matrix 068457-1 Bluebird B-11401
Trumpet: Dale "Mickey" McMickle / John Best / Billy May
Trombone: Miller / Paul Tanner / Jimmy Priddy / Frank D'Annolfo
Alto sax: Skip Martin / Wilbur Schwartz (clarinet) / Ernie Caceres (clarinet / baritone)
Tenor sax: Tex Beneke / Al Klink
Piano: Chummy MacGregor Guitar: Bobby Hackett (trumpet) / Bill Conway
Bass: Doc Goldberg Drums: Maurice Purtill
Arrangement: Jerry Gray
Composition: Jack Yellen / Sam E. Fain (Sammy Fain)
IMDb has Marion first appearing in film while with Miller in 1942 per 'Orchestra Wives'. Marion remained with Miller off and on until his final performance with his band on 27 September 1942, after which he left his orchestra to join the Allied effort during World War II (to die in the English Channel 1944). Marion's last film role was in 1949 with the Marx Brothers in 'Love Happy'.
'Chattanooga Choo Choo' / 'People Like You And Me' (2:09)
Marion Hutton w the Glenn Miller Orchestra
From the film 'Orchestra Wives' directed by Archie Mayo Released 4 Sep 1942
Trombone: Miller Upright bass: Jackie Gleason
Vocals: Tex Beneke / Modernaires
Compositions: Harry Warren / Mack Gordon
IMDb Inspiration Struck Margarita Landazuri
Letterboxd Of or Involving Motion Pictures Rotten Tomatoes Wikipedia
'I've Got a Gal In Kalamazoo' Marion Hutton w the Glenn Miller Orchestra
From the film 'Orchestra Wives' directed by Archie Mayo Released 4 Sep 1942
Trombone: Miller Upright bass: Jackie Gleason
Vocals: Tex Beneke / Modernaires
Dancing: Nicholas Brothers
Composition: Harry Warren / Mack Gordon
Rotten Tomatoes Wikipedia
'My Dreams Are Getting Better All The Time' Marion Hutton w Will Osborne & His Orchestra
From the film 'In Society' directed by Jean Yarbrough Released 18 Aug 1944
Music: Vic Mizzy Lyrics: Manny Curtis
IMDb Mike's Take On the Movies Margarita
'No Bout Adout It' Marion Hutton w Will Osborne & His Orchestra
From the film 'In Society' directed by Jean Yarbrough Released 18 Aug 1944
Music: Vic Mizzy Lyrics: Manny Curtis
IMDb Mike's Take On the Movies Margarita
'Love Happy' Marion Hutton w the Harold Mooney Orchestra
1949 Matrix 49S3161 MGM 10535
Vocals: the Crew Chiefs
Composition: Ann Ronell
Lord tracks Marion to as late as 17 January of 1959 for 'Chattanooga Choo Choo' with 'Perfidia' on Coral 59184 with backing by Beneke. Upon a highly active career Marion began to prefer the more domestic lifestyle of a mother and wife, largely retiring in the mid fifties to reside with her third and last husband, Vic Schoen, until her death in 1987.
'Heart Throb' Marion Hutton w Betty Hutton (sister)
1954 (issued 10 Jan 1955) Capitol F3031
Composition: Robert Scherman
'Booglie Wooglie Piggy' Marion Hutton w the Tex Beneke Orchestra
15 Jan 1959 in NYC Matrix 104025 Bluebird B-11163
Trumpet: Mel Davis / Bernie Glow / Abbey Hoffer / Larry Sonn
Trombone: Phil Giacobbe / Urbie Green / Mort Troutman / Joe Bennett
Alto sax: Andy Bagini / Walt Levinsky
Tenor sax: Beneke (vocal) / Al Cohn / Frank Socolow
Baritone sax: Charlie O'Kane
Piano: Irv Josephs Guitar: Barry Galbraith
Bass: Doc Goldberg Drums: Maurice Purtill
Vocals: Modernaires
Composition: Roy Jacobs
Like her sister, Betty, Marion experienced alcohol and pill addictions. Also like her sister, Marion earned a Master's Degree in psychology (though a couple decades earlier in the sixties), then worked at a hospital. In 1981 Hutton moved to Kirkland, Washington, with her husband, Schoen, to found Residence XII, an addiction center.
'I'll Be Seeing You' / 'St. Louis Blues March' Marion Hutton Television 1984
'I'll Be Seeing You': Music: Sammy Fain Lyrics: Irving Kahal
St. Louis Blues March: Music W.C. Handy 1914 Lyrics: Jim French Arrangement: Vic Schoen
Marion died of cancer in Kirkland, Washington, on 10 January 1987.
Sources & References for Marion Hutton:
arwulf arwulf (All Music)
VF History (notes)
Musical Associates:
The Crew Chiefs (vocal group): Discogs IMDb Wikipedia
Vincent Lopez (bandleader / 1895-1975): All Music Discogs IMDb Syncopated Times Wikipedia
The Modernaires (vocal group formed 1934):
BandChirps Discogs HMR Project IMDb
Greg Prado Paul Roth Swing Street Radio Wikipedia
The Nicholas Brothers (Fayard and Harold / tap dancers / professional 1926):
Audio of Hutton: Internet Archive
Filmographies: IMDb
Recordings by Hutton: Catalogs: 45 Worlds Discogs Music Brainz RYM SHS
Recordings by Hutton: Sessions:
Steven Abrams / Tyrone Settlemier (MGM series 10500-11000 / 1947-1951)
DAHR (1939-1958)
Tom Lord: 302 sessions 1938-1959
Other Profiles: From the Vaults
Classical Main Menu Modern Recording
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