Artie Shaw
Source: Jazz Wax
Born on 23 May 1910 in New York City, clarinetist, Artie Shaw, also a writer, liked to mix classical into his jazz. One of the more unique of the big band leaders, Shaw's first known recordings are thought to have been as a vocalist with the Joe Cantor Orchestra on 13 August 1928 in Richmond, Indiana, rejected by Gennett Records. He next performed clarinet on titles in Chicago with Irving Aaronson on August 28, 1930: 'Why Have You Forgotten Waikiki?' and 'Moonlight on the Colorado' on Brunswick 4883. 'You Forgot Your Gloves' went down with Paul Specht on 28 May 1931 released on Columbia 2472-D. Come radio with Fred Rich in autumn, those titles to see issue in 1975 on 'Friendly Five Footnotes On The Air' per Aircheck 12 and Aircheck 13.
'Moonlight on the Colorado' Artie Shaw w Irving Aaronson's Commanders
Recorded 22 Aug 1930 in Chicago Matrix C-6105 Brunswick 4883
Trumpet: Jimmy Taylor / Charlie Trotta Trombone: Clifford "Red" Stanley
Clarinet: Artie Shaw Clarinet / tenor sax: Phil Saxe
Alto sax: Toots Mondello Tenor sax: Tony Pestritto
Piano: Herman Mahr / Chummy MacGregor Guitar: Ralph Napoli
Violin: Jack Armstrong / Sal Cibelli
Bass / tuba: Mack Walker Drums: Stanley Johnston
Music: Robert King Lyrics: Billy Moll
'You Forgot Your Gloves' Artie Shaw w Paul Specht and his Orchestra
Recorded 28 May 1931 in NYC Matrix 151572-1 Columbia 2472-D / CB-360
Vocal: Johnny Morris
Music: Ned Lehac Lyrics: Edward Eliscu
Shaw performed with Roger Wolfe Kahn in 1932, then Adrian Rollini in 1933 and 1934. He backed a few other big names, including the Boswell Sisters and Frank Trumbauer, as a session musician until recording his first title as a bandleader on May 24, 1936, at the Imperial Theatre in NYC: 'Interlude in B Flat'. It was 1936 when he played in the orchestra of Billie Holiday.
'Interlude in B Flat' Arthur Shaw's Swing String Ensemble
Recorded 24 May 1936 at the Imperial Theater in NYC Aircheck 1 / 1974
Clarinet: Artie Shaw Guitar: Ralph Napoli
Violin: Harry Bluestone / Emanuel "Manny" Green
Viola: Isadore Zir Cello: Rudy Sims Drums: Art Stein
Composition: Artie Shaw
'No Regrets' Arthur Shaw w Billie Holiday and Her Orchestra
Recorded 10 July 1936 Matrix 19536 11 1-4 D Vocalion 3276
Trumpet: Bunny Berigan Clarinet: Artie Shaw Piano: Joe Bushkin
Guitar: Dick McDonough
Bass: Pete Peterson Drums: Cozy Cole
Composition: Harry Tobias / Roy Ingraham
Shaw constantly occupied the higher tiers of the popularity charts from 1938 into the early forties. His initial big success arrived quickly after forming his band via 'There's Frost on the Moon' reaching #10 in 1936. Four of his releases topped Billboard's charts at #1 beginning with his best-selling title overall, Cole Porter's 'Begin the Bequine' in 1938. The beguine is a Caribbean dance similar to the rhumba. It was also 1938 when Shaw hired Ella Fitzgerald and began to tour the South. He started to appear in films in 1939. Shaw's Top Ten titles are as follows:
There's Frost on the Moon 1936 #10
Back Bay Shuffle 1938 #8
Begin the Beguine 1938 #1
Deep in a Dream
1938 #3
Goodnight, Angel
1938 #2
I Have Eyes
1938 #10
Indian Love Call
1938 #6
Nightmare
1938 #7
They Say
Dec 1938 #1
Comes Love
1939 #4
I Poured My Heart into a Song
1939 #4
Melancholy Mood 1939
#8
Thanks for Everything 1939
#1
Traffic Jam 1939 #9
When Winter Comes 1939 #6
All the Things You Are 1940 #8
Frenesi Aug 1940 #1
Stardust
Jan 1941 #6
Summit Ridge Drive
Feb 1941 #10
Concerto for Clarinet Feb 1941 #10
Dancing in the Dark March 1941 #9
Blues in the Night Nov 1941 #10
Just Kiddin' Around 1942 #8
Ac-Cent-Tchu-Ate the Positive Jan 1945 #5
Count Every Star July 1950 #10 w Dick Haymes
'Begin the Beguine' Artie Shaw and His Orchestra
Recorded 24 July 1938 Matrix 024079-1 Bluebird B-7746
Trumpet: John Best / Claude Bowen / Chuck Peterson
Trombone: George Arus / Ted Vesely / Harry Rogers
Clarinet: Artie Shaw
Clarinet / sax: Les Robinson / Hank Freeman / Tony Pastor / Ronnie Perry
Piano: Les Burness Guitar: Al Avola
Bass: Sid Weiss Drums: Cliff Leeman
Composition: Cole Porter
'Nightmare' (theme song) Artie Shaw and His Orchestra
Recorded 27 Sep 1938 Matrix 027229-1 Bluebird B-7875
Trumpet: John Best / Claude Bowen / Chuck Peterson
Trombone: George Arus / Russell Brown / Harry Rogers
Clarinet: Artie Shaw
Clarinet / sax: Hank Freeman / Tony Pastor / Ronnie Perry / Les Burness
Alto sax: George Koenig
Piano: Les Burness Guitar: Al Avola
Bass: Sid Weiss Drums: Cliff Leeman
Composition: Artie Shaw
'Concerto for Clarinet' Artie Shaw and His Orchestra
From the movie 'Second Chorus' filmed Aug 1940 Released 3 Dec 1940
Composition: Artie Shaw
Like other big band leaders, Shaw formed a band within a band in 1940, calling it the Gramercy Five and recording eight tracks with it that year. The Gramercy Five disbanded in 1941, reformed for another string of recordings in 1945, and again from 1949 into 1953. See the CD called 'The Complete Gramercy Five Sessions' released by Bluebird in 1989.
'Summit Ridge Drive' Artie Shaw and His Gramercy Five
Recorded 3 Sep 1940 in Hollywood Matrix 055062-1 Victor 26763
Trumpet: Billy Butterfield Clarinet / arrangement: Artie Shaw
Harpsichord: Johnny Guarnieri Guitar: Al Hendrickson
Bass: Jud DeNaut Drums: Nick Fatool
Composition: Artie Shaw
'Dancing in the Dark' Artie Shaw and His Orchestra
Recorded 23 Jan 1941 in Hollywood Matrix 055256-1 RCA Victor 27335 / 27548
Music: Arthur Schwartz 1931 Lyrics: Howard Dietz
'Moonglow' Artie Shaw and His Orchestra
Recorded 23 Jan 1941 in Hollywood Matrix 055258-1 RCA Victor 27405
Composition: Will Hudson / Eddie Delange / Irving Mills
Shaw was earning $60,000 a week as a bandleader when he joined the U.S. Navy in early 1942 after putting down his last civilian titles on January 20-21 of 1942 to yield such as 'Hindustan' and 'Carnival'. Soon upon becoming a stateside sailor Shaw formed a band called the Navy Rangers with which he performed in the Pacific theater. The Rangers recorded on a single occasion on 30 January 1943 in Honolulu for a CBS radio broadcast of 'America Salutes the President'. This was in celebration of President Roosevelt's birthday for which the Rangers performed 'Nightmare' and 'Begin the Beguine' [Myers]. Tom Lord cites 'Spotlite On Shaw' per Big Band Gems BBG 092. Shaw was apparently injured by bombing while in the service, getting hospitalized until his release in February of 1944. Tom Lord has him resuming his recording career on 10 June 1944 during an AFRS radio broadcast on which he performs 'Long Ago and Far Away'.
During the latter forties Shaw performed with the New York Philharmonic under Leonard Bernstein. Shaw was an early proponent of Third Stream [Wikipedia], to wit, classical-jazz fusion, the term coined by Gunther Schuller in 1957.
In 1952 Shaw released his autobiography, 'The Trouble With Cinderella: An Outline of Identity'. He recorded some titles with the Gramercy Five in June of 1954, after which he stopped playing clarinet, citing compulsive perfectionism. He conducted recordings by his orchestra in 1955, after which Tom Lord's sessionography loses track of him until 1968 when Lord has him in a final session toward the album, 'Artie Shaw Re-Creates His Great '38 Band'. During that gap Shaw published the fictional work, 'I Love You, I Hate You, Drop Dead: Variations on a Theme', in 1965.
'Besame Mucho' Artie Shaw and His Gramercy Five
Recorded Sep 1953 in NYC Matrix 5003-A Bell 1023
Composition: Consuelo Velázquez 1940
'Traffic Jam' Artie Shaw and His Orchestra
Recorded 1968
From the album 'Artie Shaw Re-Creates His Great '38 Band' on Capitol ST 8-2992
Trumpet: Bernie Privin / Mel Davis Trombone: Buddy Morrow Clarinet: Walt Levinsky
Alto sax: Toots Mondello Tenor sax: Al Klink / Bill Slapin
Bass: Bernie Leighton Drums: Don Lamond
Composition: Artie Shaw / Ted McRea
Shaw formed another small band in 1981, but assigned its leadership to clarinetist, Dick Johnson [Wikipedia], who would lead Shaw's orchestra from 1983 until 2008 when clarinetist, Matt Koza, took the reins. Shaw permitted only one recording of the new Artie Shaw Orchestra led by Johnson, that on 'Artie's Choice!' in 2004. In 1989 Shaw published his third and last book, the fictional 'The Best of Intentions and Other Stories'.
'Begin the Beguine' Artie Shaw and the new Artie Shaw Orchestra
Recorded 1984 at Disneyland Clainet: Dick Johnson
Composition: Cole Porter
Shaw topped out with eight wives during his life (said to be abusively domineering). Beyond music, he was an expert marksman and fly fisherman. One measure of his enormous popularity during his swing years is that he died on 30 December 2004 in Thousand Oaks, California, with an estate worth $1,420,000.
Sources & References for Artie Shaw:
Donald Clarke (Music Box)
Christopher Popa (Big Band Library)
VF History (notes)
Scott Yanow (All Music)
The Artie Shaw Orchestra:
Led by Dick Johnson 1983-2008: Richard Vacca The Virginian-Pilot
Led by Matt Koza 2008 >: Artie Shaw Orchestra
Associates Musical:
Dick Johnson (clarinet / bandleader / 1925-2010): Richard Vacca Wikipedia
Audio of Shaw: Internet Archive
Billboard Popularity Charts: Music VF Music VF TsorT
Compositions: Music VF Second Hand Songs
Documentaries:
The Quest for Perfection (Russell Davies / 2003):
IMDb Library of Congress YouTube
Time Is All You've Got (Brigitte Berman / 1985):
Film Forum IMDb Screen Slate Wikipedia
Wives (8)
Shaw on Film / Television: IMDb
Interviews:
1992 (Bruce Talbot / text)
6 July 1994 (Dan Del Fiorentino / radio)
Publications (Books by Shaw) / Chronological:
The Trouble With Cinderella: An Outline of Identity (memoir / 1952)
I Love You, I Hate You, Drop Dead: Variations on a Theme (fiction / 1965)
The Best of Intentions and Other Stories (fiction / 1989)
Radio:
Star-Spangled Radio Hour (Shaw: SSRH 620 / 646 / 1939)
Recordings: Catalogs: 45 Worlds Discogs Music Brainz RYM
Recordings: Compilations:
The Complete Gramercy Five Sessions (Bluebird 7637-2-RB / 1989)
Moonglow (RCA Victor LPM-1244 / 1956)
Recordings: Select:
Artie's Choice! (by Dick Johnson / 2004)
Recordings: Sessions:
DAHR (Irving Aaronson / 1921-30)
DAHR (The Gramercy Five / 1940-55)
DAHR (Artie Shaw / 1928-55)
DAHR (Artie Shaw Orchestra / 1937-55)
DAHR (Paul Specht / 1920-32)
Tom Lord: leading 259 of 308 sessions 1930-68
Repertoire:
Begin the Beguine (Cole Porter / 1935)
Nightmare (Artie Shaw / theme song / 1936)
Further Reading:
Dave Dexter Jr. (Shaw w Billie Holiday)
Keith Elliott (The Musical Life of Artie Shaw / Ball State University / 2021)
Richard Vacca (Shaw w Billie Holiday)
Other Profiles:
Amy Henning
Todd S. Jenkins (Jazz House)
Dave Radlauer (Jazz Rhythm)
Scott Yanow (Syncopated Times)
Classical Main Menu Modern Recording
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